A Quote by Iain Banks

Half the fun of writing a novel is finding out from other people later on what you actually meant. — © Iain Banks
Half the fun of writing a novel is finding out from other people later on what you actually meant.
I believe the second half of one's life is meant to be better than the first half. The first half is finding out how you do it. And the second half is enjoying it.
A novel's whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.
I . . . am always half afraid of finding a clever novel too clever--& of finding my own story & my own people all forestalled.
I had just begun an M.A. in Creative Writing, and I had to write a novel, so I began writing a novel that later became 'A Life Apart.'
Part of the fun of acting is the research, finding out about other people.
At the beginning of the project, I wasn't certain that I could come up with an engaging storyline and cast of characters in this world, so I had a strong bias toward actually writing, and worrying about research later. In other words, I was afraid that I'd devote a year or two of my life to grinding through Kant and Husserl, then discover that there simply was no novel to be written here.
I think I was also afraid of the novel. I write line by line, proceeding at snail's pace, rewriting as I go and paring the excess away. This is against all the best advice for writing long form prose, and I have tried over the years to break myself of the habit, but I can't bear to leave anything ungainly on the page and half the fun for me is that tinkering. So the length of a novel was a daunting prospect.
Be who you want to be and not care about what others think." -Andy Sixx Rock n roll isn't meant to be taken so seriously, I think sometimes people forget it's meant to be fun. A rock show is meant to be a time for people to have fun and let go of the drudgeries of life.
Finding my way into a novel is always half the battle.
I had to introduce a lot of people into my writing environment which I thought at first I would find really difficult, but I actually found that I loved it. It meant that I was meeting different people; it meant that I was expressing myself in different ways.
Deciding to write a novel about something - as opposed to finding you are writing a novel around something - sounds to me like a good evocation of writer's block.
It's actually a good thing if you do reference checks on somebody and half the people you call say they are a micromanager and the other half say they actually give me a lot of responsibility. That's a feature not a bug.
Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
Objectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.
One thing that seems to surprise the studios is finding out later my willingness to audition. Under the right circumstances, I actually enjoy it very much.
Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.
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