A Quote by Iain Banks

I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese. — © Iain Banks
I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.
When it was released in the 80s in Japan, 'Blade Runner' was actually a series that influenced the Japanese media very much so. I assume that everyone in the anime industry has seen Blade Runner at some point.
Honestly, I would never say, 'Oh, I've decided not to read 'The Left Hand of Darkness' because I've seen 'Blade Runner.' I've decided not to read 'Neuromancer' because I've seen 'Blade Runner.''
I'm among the hardcore fans of 'Blade Runner.' 'Blade Runner' is one of my favorite movies of all time. It's a movie that is linked with my love and passion for cinema.
Blade Runner was an incredibly influential movie, in terms of the way that it envisioned what the future was going to look like.
Blade Runner was the godfather of all these fantastic movies that occur today. What's frustrating is that we're short of really great writing and great ideas. Blade Runner was full of them.
Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.
I want to do my Blade Runner, which is like a future Berlin film, which is like a thriller, but it's much deeper characters, I think.
When I saw 'Blade Runner,' my understanding was that 'Blade Runner' and 'Alien' were sequels to each other - or they were related. They were set in the same world.
I think over time I've learned to stop being a screamer and get interactive; otherwise, you get killed in Hollywood. I stopped being a screamer shortly after 'Blade Runner,' kicking doors and things like that, because I wasn't actually getting anywhere.
I wasn't a big science fiction aficionado, there were a few films like 2001 or Blade Runner that were favorites of mine, but since I started this series I have gained more respect for the genre and become more of a fan myself.
The future is an unknown, but a somewhat predictable unknown. To look to the future we must first look back upon the past. That is where the seeds of the future were planted. I never think of the future. It comes soon enough.
‘Blade Runner’ is such a unique film. How do you describe a diamond? I don’t think you should ever touch it again.
'Blade Runner' is such a unique film. How do you describe a diamond? I don't think you should ever touch it again.
Think of the sushi trend that started in the '80s. It was as much about the Nintendo entertainment system in your living room as it was about the availability of good-quality raw fish. The Japanese food trend rose as the world of Japanese business and culture was becoming a bigger part of American life.
When I wrote 'Neuromancer', I had a list in my head of all the things the future was assumed to be which it would not be in the book I was about to write. In a sense, I intended 'Neuromancer', among other things, to be a critique of all the aspects of science fiction that no longer satisfied me.
I have some advantages of viewing from the two lenses, the two perspectives. I think that a lot of visual artists who come back here from the United States and are Cambodian also write from their American references - looking inside the old culture, and looking at themselves as an American looking into the country where they were born.
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