A Quote by Iain Banks

As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of. — © Iain Banks
As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of.
When you get hit that's when you've got to be calm. A professional fighter has to learn how to hit and not get hit, and at the same time be exciting. That's what professional boxing is about. You've got to be clever, you've got to be smart, and not get hit, and when you're able to do this, you're a fighter.
Every time I get to lace up my shoes, I am happy. Every time I see my jersey and I get to put it on, I feel like a kid in the candy store. Every time I get the chance to play, I am going to play.
There's a moment in Sarah Manguso's The Guardians when she writes, "I try not to make anything up, and I fail every time." I get giddy when I come across lines like that - when the writer is not only making a meta-move, but one that troubles truth and fiction, the nature of genre itself.
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
Smart people sometimes get stupid, but stupid people never get smart. Never. Ever. 'You can come down the evolutionary ladder,' Chon has observed to Ben and O; 'you can't climb up.
What I do is not some magical, mystical thing. I simply get up in the morning, get to work on time, say my lines, and do the best I can
What I do is not some magical, mystical thing. I simply get up in the morning, get to work on time, say my lines, and do the best I can.
I'm hired to do a job. They expect me to do a job, and that job requires me to get my butt up and get back to the huddle, get the play and go do it another time. And until I can't physically get up, I'm going to do that.
If I write a paragraph and I don't get a certain lift from it, if I don't feel connected to it emotionally, then it's dead to me. When I'm reading other fiction writers, if I don't get any emotional investment from the writer, if it's just intellectual or clever - you know, most writing that passes as deep is just clever - I don't feel any connection.
With voice acting, it liberates you to play characters you'd never do in a million years because you're physically not right. You can show up looking like hell, you don't have to memorize your lines because you can read them right off the page, and you get to play the most fun parts. You come in and you kick everyone's ass and you get your own ass kicked, and then you go home.
The blacks have their parties, hustle a little liquor, get some things together, and I used to play for those peoples. They'd come get me on time, but they wouldn't bring me back on time... Done picked cotton all day, play all night long, then pick cotton all day the next day before I could get a chance to sleep.
When you play professionally, you get accustomed to turnover. Players come and go - they get injured, they get transferred, they get cut from the team. Coaches are hired, and coaches are fired. It's just part of the world you live in.
I think if a writer is not endeavoring to expand and alter consciousness in himself and in his readers, he is not doing much of anything. It is precisely words, word lines, lines of words and images, and associations connected with these word and image lines in the brain, that keep you in present time, right where you are sitting now.
Don't get me wrong. I don't take anything for granted. But it seems like the better I play, the more attention I get. And I can't get away from it. You play great, you get attention. But I hate attention. It is weird. I'm in a bind. The more you win, the more they come.
College, our job is to get guys to get better. Work hard, get better and be in position so when your time comes you get to play in the NBA.
So from that first loan at Barnsley, I thought I needed to get into the gym and get a bit stronger. I realised I can't just be trying to play round people. You have to get stuck in in those leagues.
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