A Quote by Iain Duncan Smith
Look, I've always said from the word go many years ago that I felt the whole bonus culture, they need to think very carefully about being detached from the rest of the British public.
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But I don't know, maybe it's just as well I never got there. I dreamed about it for so many years. I used to go to English movies just to look at the streets. I remember years ago a guy I knew told me that people going to England find exactly what they go looking for. I said I'd go looking for the England of English Literature, and he nodded and said: "It's there.
I don't really believe in elegance. Ever since I first came to France many years ago to do the Chambre Syndicale course, I always felt I was somehow lacking, first of all being British - obviously a disaster! But I was also puzzled with this idea that you have to tie your Hermes scarf just right, or you can only wear black.
I'm from Norway, but I always felt like I'd grown up with British culture. We had everything from the BBC on our TV, so British drama seems very close to home.
Many people say that we have sufficient laws in our country, just that they are not implemented properly. I completely disagree with them. I have studied many of the laws very carefully. We are still being governed by the same colonial laws which existed in British times. They have not been changed. Many of these laws need to be changed.
There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.
In places where a loved one has died, time stops for eternity. If I stand on the very spot, one says to oneself, like a prayer, might I feel the pain he felt? They say that on a visit to an old castle or whatever, the history of the place, the presence of people who walked there many years ago, can be felt in the body. Before, when I heard things like that, I would think, what are they talking about? But i felt I understood it now.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
I think we are evolving rapidly into one world culture. It's certainly one world economy. With billions of people online, I think we'll appreciate the wisdom in many different traditions as we learn more about them. People were very isolated and didn't know anything about other religions 100 years ago.
I've always felt, with 'The Iliad,' a real frustration that it's read wrong. That it's turned into this public school poem, which I don't think it is. That glamorising of war, and white-limbed, flowing-haired Greek heroes - it's become a cliched, British empire part of our culture.
I've always been and will always be very private about my personal life. If anything ever goes public, it is by default, because I happened to be in a place where I was being watched. But for the most part, I honestly don't care what people think. I never have. If I did, I'd probably present myself a little more carefully.
I think that the British government has long been on the record saying global warming is a very serious issue and we need to do something about it. I think what they did was they took their own economic experts and they said, "This time, let's try to put together a document that will really convince the rest of the world of a position that we've been holding for a while."
I don’t go back and look at my early work, because the last time I did, many years ago, it left me cringing. If one publishes, then one is creating a public record of Learning to Write.
I was aware that the teaching of drawing was being stopped almost 30 years ago. And I always said, 'The teaching of drawing is the teaching of looking.' A lot of people don't look very hard.
Look at me, I'm getting defensive about something that happened so many years ago, somebody said. I'll have to find out who that was and if he's still alive.
Many years ago... many, many years ago, I brought up a boy, and I said to him, 'Son, if you ever become a writer, try to write a good part for your old man sometime.' Well, by cracky, that's what he did!
I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."
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