A Quote by Iain Glen
I've been aware of the work I do as an actor being directorial in feel.
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The whole time I've been an actor, from early in Houston, my goal has been to work - to keep doing it. I feel at my most satisfied as a human being when I'm working on a role.
I've obviously always been aware of actor-oriented films, being an actor. Altman and Cassavetes were really strong. And then I realized their structures were quite fascinating, too.
I was definitely acutely aware, the transition of being seen as a child actor to being taken seriously as an adult actor. It's not always a smooth one.
As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.
I believe in the directorial point of view and directorial choices.
I'm foremost an actor. I feel embarrassed being compared to the guys who really work at it. I fake it, I make believe I know all about it, which is what you're supposed to do as an actor.
As I got older, with my work, I became aware of the responsibility of film, and I feel one of the best ways I can apply myself as an actor, is to go beyond movie stardom and celebrity.
I actually cut my sentences a lot. I'm very aware of the actor, giving them too many words - just a mouthful of words - it's difficult sometimes for an actor. So I'm kind of aware of breaking sometimes the line, the sentence with a comma where maybe there wouldn't be a comma there. Just to give a breathing space for the actor, just to be aware of that.
Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."
Being present is the actor’s job. Being aware of your body, in space, and the emotions that are occurring inside, is essential. Well, quite simply, the more aware one is-of yourself, of your surroundings, of other people-the more likely you are to respond truthfully.
The only disadvantage to directing if you've been an actor is how self-conscious you are. When I'm directing, I'm always so aware when I'm speaking to an actor of how easily I could throw them off by saying something careless or not being clear or concise. So it does make you watch your words in a way that sometimes is unhelpful.
With my work in 'Mardaani' being well-received, I am more aware than ever that I have to keep the game up. I don't want to disappoint myself as an actor first and let my audience down.
Mindfulness is a state wherein one is totally aware in any situation and so always able to respond appropriately. Yet one is aware of being aware. Mindlessness, on the other hand, or "no-mindness" as it has been called, is a condition of such complete absorption that there is not vestige of self-awareness.
I feel so lucky. When an actor that has been struggling for so long makes the transition into being an actor full-time, it is the most amazing feeling. It's just sort of like a 3,000-pound weight gets lifted from you, and you're able to mostly focus on just being an artist, which is an amazing, blessed luxury I have.
I grew up with it. As a young actor, I was always aware of the brilliant work of Shakespeare. We studied Romeo & Juliet and Macbeth in school. As a young actor, you're always mystified and intrigued by such brilliant work. To actually have the chance to be involved in this production was a wonderful thing for me.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
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