A Quote by Iain McGilchrist
Perspective in art has receded along with harmony in music: We tend more and more to see the world as a heap of intrinsically meaningless fragments.
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From harmony, from heavenly harmony, This universal frame began: When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, 'Arise, ye more than dead!' Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Can you visualize a world with no more death, no more pain, no more hunger, no more fear, no more sorrow, no more crying nor sickness, a world where everything is a joy and a pleasure? - A society where everybody works together in harmony, cooperation and love? That's Heaven!
The power of nature is what all art strives to be. The more we can get in tune with the harmony of the planet, the more our art can benefit from that relationship.
The research indicates that when we women invest, we women do tend to be more patient, take a longer-term perspective and as a result of it, tend to be better investors than men. But the messages we get are that investing is sort of 'the guys' world.'
[Women] tend to collect more pieces of data when they think, put them into more complex patterns, see more options and outcomes. They tend to be contextual, holistic thinkers.
The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music.
Art is not meant to change the world, but when you see people interacting, when you see an impact on their lives, then I guess in a smaller way, this is changing the world. So, that's what I believe in. That's why I'm into creating more and more interactions.
The little world of childhood with its familiar surroundings is a model of the greater world. The more intensively the family has stamped its character upon the child, the more it will tend to feel and see its earlier miniature world again in the bigger world of adult life. Naturally this is not a conscious, intellectual process.
Art on the contrary sought this harmony in practice [of art itself]. More and more in its creations it has given inwardness to that what surrounds us in nature, until, in Neo-Plasticism, nature is no longer dominant. This achievement of balance may prepare the way for the fulfillment of man and signal the end of (what we call) art.
I believe that beyond the arena of art, the world would be a much better place if centered around a feminine perspective. The world has been really messed up by greedy white men who only work towards an agenda of personal wealth and power. It is this patriarchy of the past couple thousand years that causes so much strife. If the world was female-centered and if the dominant spirituality was based on the feminine and the earth, then human beings would know much more joy, peace, and harmony.
Art is the heart's explosion on the world. Music. Dance. Poetry. Art on cars, on walls, on our skins. There is probably no more powerful force for change in this uncertain and crisis-ridden world than young people and their art. It is the consciousness of the world breaking away from the strangle grip of an archaic social order.
Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.
I think when you're collecting, the best advice is just 'see see see see.' The more you get used to the nuances of the art world and what people are doing and whose opinion matters, the more you can tune your own collection and know that these are works that do count; these are artists that will be of relevance tomorrow.
My inner peace remains in spite of any outward thing. Only insofar as I remain in harmony can I draw others into harmony, and so much more harmony is needed before the world can find peace.
Music, art, and literature are inseparable for me. How does "composition" evolve in a music and art context? It's a question we can never answer: it only asks for more information and generates more questions.
I have been fortunate enough to see many places of this earth and most certainly a lot of art, but I would be more interested to see more of the natural wonders of the world.
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