A Quote by Ian Anderson

The flute was an alternative to being a small fish in an increasingly bigger pool filled with a number of great guitar players. — © Ian Anderson
The flute was an alternative to being a small fish in an increasingly bigger pool filled with a number of great guitar players.
If little fish get eaten by bigger fish, and bigger fish get eaten by bigger fish... what happens when there are no little fish? The world's populations of little fish are being harvested to make catfood!? This nonsense has to stop. Feed a fish a cat a day!
All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.
Being a female guitar player back in school wasn't great, and I had to change schools so many times. The male drummers and bass players thought it was cool, but male guitar players said, 'It's a guy's thing. You should be doing something else, like playing the harp.'
There's the whole significance of Krishna as the flute player who awakens our consciousness. It doesn't necessarily have to be a flute because for me it was a sitar or a guitar or even Elvis Presley doing "Heartbreak Hotel." It was like Krishna's flute calling me somewhere. It's just really simple when we can remember.
Once I started catching fish I was very curious to see what other fish there are. This happens to most people who fish - they want to catch bigger fish.
Growing up I was always small. I think growing up through the academy and being the small one, you get that technical side of the game and you are learning from bigger players.
I went from being a big fish in a small pond to going to City with a lot of top players, I felt like I had to work really hard to be the best.
You start off interested in variety and then it's always about bigger fish, bigger fish and I became fairly obsessive, I think, in my late teens and early 20s.
A life is made up of a great number of small incidents, and a small number of great ones.
Even though there are some great keyboard players on the album, there are a number of songs with no keyboard on them and the backing is all guitar oriented. This is first time I've ever done this actually.
Number 7 is a legendary number, many great players who have worn it. I hope I could do credit in the field with this number.
I like eating fish and the thing is when I'm on a shoot, quite often the fish that I catch are bigger than me. Although I have a very healthy appetite I could normally eat about a pound of fish in a meal. I can't eat 100 pounds of fish or 200 pounds of fish.
Seven has always been my lucky number. It's on my guitar pick; in sports, that was always the number I was, and 'Riser' is my seventh album. With this album kind of coming to an end and having seven nominations at the ACMs, it feels like a bigger story in play for me, and it's the perfect number. I wouldn't have wanted eight!
QUINCE Francis Flute, the bellows-mender. FLUTE Here, Peter Quince. QUINCE Flute, you must take Thisby on you. FLUTE What is Thisby? a wandering knight? QUINCE It is the lady that Pyramus must love. FLUTE Nay, faith, let me not play a woman; I have a beard coming.
Look, nobody is a bigger fan of Tommy Shaw than me. The day I met him in 1975 I knew he was going to be a great guitar player, performer and songwriter. I was his biggest fan, and I'm Styx's number one fan.
Increasingly, we will be faced with a choice: whether to keep the oceans for wild fish or farmed fish. Farming domesticated species in close proximity with wild fish will mean that domesticated fish always win. Nobody in the world of policy appears to be asking what is best for society, wild fish or farmed fish. And what sort of farmed fish, anyway? Were this question to be asked, and answered honestly, we might find that our interests lay in prioritizing wild fish and making their ecosystems more productive by leaving them alone enough of the time.
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