A Quote by Ian Anthony Dale

I've always looked at directing as the next step for me in my creative career, and after spending the better part of the last decade on a television set absorbing as much as I could from in front of the camera, I'm now eager to learn as much as I can from behind it.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
I've hidden behind the camera my whole life because I much, much, much prefer shooting. Being behind the camera is my safe space, and it's my creative space, too.
It's very rare, in a movie franchise, where you have the same creative team behind the camera and in front of the camera, pretty much, for the entire growth of the franchise.
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
I would really like to focus on directing features, and then eventually take that skill set back to television. On features, you have more control. On television, the producers are the creative forces behind it. Directors come and go on television.
I have a lot of appreciation for what people do in front of the camera as well as behind the camera. I don't think I could like one without the other. Eventually, I think the road will lead me down to producing or directing, because it's more about problem solving.
What's great about working on a sitcom is that I spend so much time with people who are in other fields as well, such as writing, directing, and/or camera operating. Being on set is like being on a playground. I go from one thing to the next, and I've learned so much and hope to continue learning.
Neil Mahoney was definitely the visionary in taking 'Freak Dance' from stage to screen. He made it more cinematic. He brought the choreography, all the ways to shoot that. I was more the director of actors. I was in front of the camera directing, and he was behind the camera directing.
I've learned so much from just being in film industry. I definitely want to stay in front of the camera and learn more from as many people as I can. Somewhere down the line, writing, directing and producing would be fantastic.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
Directing is literally what I've always wanted to do, ever since I was a kid. So I love the career I've built behind the camera.
This is the blessed life-not anxious to see far in front, nor eager to choose the path, but quietly following behind the Shepherd, one step at a time. The Shepherd was always out in front of the sheep. He was down in front. Any attack upon them had to take him into account. Now God is down in front. He is in the tomorrows. It is tomorrow that fills men with dread. God is there already. All the tomorrows of our life have to pass Him before they can get to us.
I directed my first music video for Sara Bareilles. I like writing and directing. I co-wrote '21 Jump Street' and I'm in that. To me, they all inform the other one. I think writing makes you a better actor, acting makes you a better writer, directing makes you better at both. To me, I'm just trying to learn as much as possible.
Learning how to relive again on life's terms sure doesn't do much for your confidence. You have to kind of walk in faith that the next step is going to be just a little bit better than the last step.
I grew up in a family in which no male upstream from me had ever finished high school, much less gone to college. But I was taught that even though there was nothing I could do about what was behind me, I could change everything about what was in front of me. My working poor parents told me that I could do better.
I don't like directing that much to want a career as a director for hire. I like to have as much creative control as possible.
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