A Quote by Ian Astbury
I think the thing that would interest me would be to appear in a period piece where you'd get to dress in an elaborate costume and say nothing but just look fabulous and have a fancy role.
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I like a house party and fancy dress, a big fan of fancy dress, like dress up, costume parties.
When I went to see Mrs. Clinton and we talk about the inaugural dress I ask her what would you like to achieve with this particular dress? And she said to me what I would like is - that when I walk into the room and people will look at me and say wow you look great.
I could not do what I do, and teach a class, and never miss a deadline, never be late for anything if I was a lush, OK? I would really love to read a piece that said, 'He is not a lush.' That would be fabulous, it would be a first, I could show it to people and say, 'Look!'
When I saw 'Breakfast at Tiffany's,' and Audrey Hepburn was standing in front of Tiffany's in this Givenchy dress, or when I saw 'All About Eve,' I thought that period was just fabulous. I mean, who would not want to walk down the stairs with their hands in their pockets, and say, 'Fasten your seat belts, it's going to be a bumpy ride.'
When I was shopping around trying to get signed, I made it a point to say, 'This is who I am.' I dress the way I normally dress, and I just wanted to find a label that would accept me for that.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
I just go out and sing my songs. I don't put on elaborate stage shows with ridiculous fancy dress.
If you stood me in a costume next to a computer graphic of the same-looking character, I think there would be a difference. And many movie fans I've spoken to would rather see an actor in a costume than CG.
It is a question in that case of breaking up one piece of art, and whether that piece of art can be as best as possible put back together. So it's an argument to say, maybe that's one of those instances, like the bust of Nefertiti, I think that should be given back [Egyptian piece currently in Neues Museum in Berlin]. It's one of those pieces you look at and think that would probably be the right thing to do.
I've done a lot of different things. I would say, it's really hard for me to say what the ultimate role would be. You look at a film if it comes to you.
It's a weird thing to say, but it would appear to me axiomatic that if you understood fully what I was doing and appreciated it, you would like it.
Look, if Givenchy is going to lend you a dress, I'm not going to turn it down. I would wear that dress to just go out and buy a pint of milk if they would lend it to me.
People would stop me in the street - my demographic tends to be the elderly Jewish women from Miami; I think they tend to fancy me as someone that would've been good with their daughter or something - and a lot of them will do the wrist-slapping thing. "Oh, you're a terrible man! Just terrible!" And I'm, like, "Well, it's just a show. I'm just playing a character."
A dream role is a role that you can't even picture for yourself. Everything I've ever played I never pictured I would get a chance to play. It [has] gone beyond my wildest dreams. One thing I would love to do in my lifetime is a movie musical. I've wanted to do that since I was a kid. That's what made me interested in acting in the first place. I would do any type of musical, but I love the Harlem Renaissance era. I think a dream role in something that I probably can't see and I don't know when it's going to come.
I would like to do a period piece. I think that would be fun.
While I appreciate horror movies, I'd love the opportunity to do something transformative, especially because people see me as contemporary. There's a lot to explore in my career that could take me back to another time. A period piece would be an incredible game of dress-up, too.
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