A Quote by Ian Bogost

The whole idea of play is in finding, acknowledging, and then working with the natural constraints and limitations that you find in the world. — © Ian Bogost
The whole idea of play is in finding, acknowledging, and then working with the natural constraints and limitations that you find in the world.
There's a natural set of constraints with mobile phones that force you to be a better photographer by acknowledging and observing the world around you.
Freedom is not the absence of limitations and constraints but it is finding the right ones, those that fit our nature and liberate us.
The idea of thinking of our relationships with people as also being structured by limitations and constraints can be useful.
We can't spend all day trying to get the performance exactly right and you just have to accept that and move on and accept the medium that you're working in and you know, there's a beauty in working under constraints and limitations. I think a lot of great things can come out of that.
Play isn't you being clever, or finding a trick, or finding a way of covering over your own misery, or persuading someone to do what you want. It's the process of working with the materials that you find and discovering what's possible with them.
The idea of regularly acknowledging our indebtedness to the natural world and giving thanks for the many gifts we receive from it, or considering other species to be our close "relations" which many indigenous peoples still do, couldn't be more alien to most of us.
You want to find the balance of acknowledging privilege and acknowledging the disadvantages that you have.
I always just read the play and find a world. That world must honour the play, enhance it, and maybe shine some new light - not satirise or try to reinvent in a way that is placing the idea above the thing. The play is the thing.
Do you have any idea how many lives we must have gone through before we even get the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand! And then another hundred lives until we began to learn that there is such a thing as perfection, and another hundred again to get the idea that our purpose for living is to find that perfection and show it forth... we choose our next world through what we learn in this one. Learn nothing, and the next world is the same as this one, all the same limitations and lead weights to overcome.
What I've been thinking about recently is the idea of finite and fragility. Either we're acknowledging that our lives here are finite, this moment is finite, and that this whole world is fragile, or we're not, but it is really happening and that is really true.
When it comes to the mental world, when we design things like health care and retirement and stock markets, we somehow forget the idea that we are limited. I think that if we understood our cognitive limitations in the same way that we understand our physical limitations … we could design a better world.
Finding your voice is something you have to keep working at. Your voice as a comic evolves the same way that you evolve. You have to find out what works for you. How can you express your opinion, your take on the situations in a way that feels natural to you? That's where you find your voice.
A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
African leaders work really under severe limitations and constraints.
The natural world is not only a set of constraints but of contexts within which we can more fully realize our dreams.
Sometimes I think creativity is magic; it's not a matter of finding an idea, but allowing the idea to find you.
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