A Quote by Ian Bremmer

I think graffiti is part of Berlin culture. You think about what the Berlin wall meant and how visible that was in everyone's life. How it was a part of their very identity. — © Ian Bremmer
I think graffiti is part of Berlin culture. You think about what the Berlin wall meant and how visible that was in everyone's life. How it was a part of their very identity.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
Every Westerner is jubilating that the Berlin Wall has fallen. Something worst than the Berlin Wall is in Palestine; and nobody is talking about it.
I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.
I think Berlin is always inspiring. I love being in Berlin. It feels like such a cool city, with so much culture and art and independence everywhere.
I remember I went to Berlin right after the Wall came down. I first went to East Berlin, and all the buildings were old and falling down, and now when you go back to Berlin, you know you're in the East because all the buildings are brand new and very tall.
My first visit to West Berlin was in February 1983. The drive through East Berlin, the fact that West Berlin was surrounded by a wall that was more than 100 miles long - the absurdity and intensity of it really knocked me out.
In 1995, I went to Berlin to acting school, which was in East Berlin. And I decided to live in the east, because I thought if I go to West Berlin, I might as well stay in Stuttgart in the West because I know all the signs, and the way we deal with each other, and I wanted to get to know the other part of Germany and how they lived and what their history was and their biography. In that period of time, I learned a lot, and it helped me a lot.
The Berlin Wall go down, that was the most wonderful thing that could happen, absolutely. I celebrated with everybody in Berlin that day when the Wall was down.
The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.
I know when the Berlin wall went down and I walked into what was East Berlin and saw two big Nike banners - that gave me a chill.
When I was 16, I went to Berlin - West Berlin, since at that time a wall still divided the city - to live for three months with a family on an exchange program.
Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.
I think that our work and our music stands on its own without this knowledge about our identity around it. But I also think that we very consciously decided not to hold back that part of ourselves, but to be very vocal about who we are, kind of what experiences we've had in life, and how we identify.
Berlin is still going through a transition since the Cold War - both in what used to be East and West Berlin. I can still sense the confusion and the struggle for identity there in the streets. There's a pulse to it.
The alliance with air Berlin is attractive for me. I can use the whole sales network of the air Berlin and 24 percent of my own airline at air Berlin sold.
This coincided with the fall of the Berlin Wall and Europe coming closer together, and nightlife and techno and ecstasy culture seemed like a very powerful panEuropean movement.
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