A Quote by Ian Brennan
It's better when you don't understand the words in music. Because when you don't understand the words, you have to listen to what somebody means, not what they're saying. And if they mean it.
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Acting doesn't have anything to do with listening to the words. We never really listen, in general conversation, to what the other person is saying. We listen to what they mean. And what they mean is often quite apart from the words. When you see a scene between two actors that goes really well you can be sure they're not listening to each other - they're feeling what the other person is trying to get at. Know what I mean?
I want you to understand the words. I want you taste the words. I want you to love the words. Because the words are important. But they're only words. You leave them on the paper and you take the thoughts and put them into your mind and then you as an actor recreate them, as if the thoughts had suddenly occurred to you.
People don't talk like this, theytalklikethis. Syllables, words, sentences run together like a watercolour left in the rain. To understand what anyone is saying to us we must separate these noises into words and the words into sentences so that we might in our turn issue a stream of mixed sounds in response.
My words have an origin. My deeds have a sovereign. Truly, because people do not understand this, they do not understand me.
Words are deceptive. You think you understand something because it's explained to you and now you are under no obligation to do anything because you understand it.
When I took my first poetry class, I felt that I could understand the relationships between words and the formal qualities of language in a way I would never understand music.
After the first glass of vodka you can accept just about anything of life even your own mysteriousness you think it is nice that a box of matches is purple and brown and is called La Petite and comes from Sweden for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there?
I don't like most world music because you need to know what the words are to really understand it.
I can understand that there are those who can think and imagine the world without words, but I think that once you find the words that name your experience, then suddenly that experience becomes grounded, and you can use it and you can try to understand it.
I would say that music is the easiest means in which to express, but since words are my talent, I must try to express clumsily in words what the pure music would have done better.
Reggae is a message of consolation; a message of salvation. The youth are going to the school and they have to listen to the words. The parents have to listen to the words. God has to listen to the words. So, we have to make it positive. If you sing nursery rhymes, it is nothing. You just blow up tomorrow, and the record dies at the same time. But if you give positive words, that song lives forever.
With a lot of what we take to be true feelings, especially on pop records, we feel them because they're cleverly crafted. And because the words are written by somebody who knows how to craft words and draw on those things and convey those feelings. That doesn't mean they're dishonest. But it also doesn't mean that it's all just pure primitive emotion spilling out.
If you had come to me a hundred years ago, do you think I should have dreamed of the telephone? Why, even now I cannot understand it! I use it every day, I transact half my correspondence by means of it, but I don’t understand it. Thnk of that little stretched disk of iron at the end of a wire repeating in your ear not only sounds, but words-not only words, but all the most delicate and elusive inflections and nuances of tone which separate one human voice from another! Is not that something of a miracle?
The secret of understanding poetry is to hear poetry's words as what they are: the full self's most intimate speech, half waking, half dream. You listen to a poem as you might listen to someone you love who tells you their truest day. Their words might weep, joke, whirl, leap. What's unspoken in the words will still be heard. It's also the way we listen to music: You don't look for extractable meaning, but to be moved.
Being silent for me doesn't require being in a quiet place and it doesnt mean not saying words. It means, "receiving in a balanced, noncombative way what is happening." With or without words, the hope of my heart is that it will be able to relax and acknowledge the truth of my situation with compassion.
Go out there and play hard, understand your teammates, understand the other team's gameplan, understand your coaches' philosophies and what they want you to do. There's nothing better than showing, though; more than talking, you have to make your actions speak louder than words.
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