A Quote by Ian Brown

I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe. — © Ian Brown
I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe.
The only reason why I made solo records was because I got so obsessed with politics, and that is quite personal. I don't really philosophically believe in solo records.
I think by having solo projects, it allows us to expand our music range. There's a type of music and concept we can do as a group and do as solo artists.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
Nadine from Girls Aloud could definitely go solo - she's the one with the talent and will have a successful solo career.
There is a solo on 'Spiders,' albeit a kind of a non-traditional solo, but that's what I love.
I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
I did Kyoto and traveled through some of Japan, solo. That was a really interesting experience. I felt very safe there as a female solo traveler, and I think you always need to be conscious of that.
The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.
I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.
I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
My solo series, in some ways, have been rarely truly solo.
To be clear, I normally climb with a rope and partner. Free-soloing makes up only a small percentage of my total climbing. But when I do solo, I manage the risk through careful preparation. I don't solo anything unless I'm sure I can do it.
When I was 23, I felt like I was further back than when I was 21. After two solo albums for this small indie label Just Music, they'd gotten no real profile. So I kind of turned away from the solo thing a bit.
I hate the solo artist aspect of rock-'n'-roll. I don't have enough personality or charisma to be a solo star.
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