A Quote by Ian Brown
With the Stone Roses, I always thought we'd be successful because we had some great songs.
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Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.
Even if the songs are at times painful - 'cause some of the songs are not all roses and balloons; some of them dig into deep things that I've been going through - there's a joy that I think people feel from my music and, hopefully, from my performance because I am so in love with doing what I do.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
Some people are always grumbling because roses have thorns; I am thankful that thorns have roses.
The choice that I made was from my best music, for the songs that I knew that the public liked. Then, when I recorded my new songs I found that my old material had not faded, it was still current, the music was good and the songs were great. I sat in my house and listened, got the chills, and I thought, how great is that? It hasn't dated, it hasn't gone anywhere, and it's great.
If I was in the gutter, and my kids lived on the kerb, I'd go and get a job in B&Q before I'd reform the Roses. I gave everything I had to the Stone Roses and ended up hitting a brick wall. I'm never going to give anyone a foothold on that wall again.
Some of my favorite songs are slow songs, like Guns N' Roses' 'November Rain.'
You know, I've always said, I've never felt I was a particularly good singer, but I've always thought I had a great knack for picking hit songs.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
There are people who are really great musicians. I've met a lot of them. And I'm not a great musician. I'm adequate enough to be able to throw some chords together and write songs, but I can only feel that because I'm expressing something honestly, or in a heartfelt way, or in some way that's not bullshit, that in some way the songs have merit.
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
I always thought of myself as more American than Americans when I was living in Germany, because I always had this attitude of can-do, and if you're successful, you can show it, which is a very un-German thing, you know.
Singing always came naturally but the writing side is something I have always had to work hard at to get from good songs to great songs.
I thought that I wrote songs and wrote music, and that was sort of what I thought I was best at doing. And because nobody else was ever doing my songs, I felt - you know, I had to go out and do them.
I've not thought about the Stone Roses since we quit. How many LPs do I have to make to stop people talking about it?
Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
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