A Quote by Ian Curtis

Pictures all around, of how good a life should be, a model for the rest, that bred insecurity, I walked a jagged line and then came back for more, it's always in my mind, an institution with no law.
You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident.
The law of life is that the mind should be at rest while the body engages in action.
All the good pictures that came so easily now make the next set of pictures virtually impossible in your mind.
Everybody should have their own thing, and if he don't want to be a role model, that should be up to him. In the right situations, I can try to help and be a role model, but I'm still gonna speak my mind, and if that affects the role-model deal, then too bad.
We have two main instruments: the mind and the heart. The mind finds it difficult to be happy, precisely because the mind consciously enjoys the sense of separativity. It is always judging and doubting the reality in others. This is the human mind, the ordinary physical mind, the earth-bound mind. But we also have the aspiring heart, the loving heart. This loving heart is free from insecurity, for it has already established its oneness with the rest of the world.
There's always a Justin Bieber. Ever since I've been around, there's always been one of him. You know, you can trace it back from how old you are and the boy bands that came along then and the teen sensations and whatnot. And, you know, good for them. There's a few of them that make it out and a few of them that don't.
When you're a successful model and then you do Playboy, and then turn around and say you're more of a singer than a model, people roll their eyes.
All life goes in a circle, around and around, you started at one place, and then came right back to it again.
When you're a pro athlete, life is very narcissistic - everything relates back to you and how you play. When you are getting out of pro sports, you suddenly have to get a little more mindful of what's going on around you and how you affect the rest of the world.
When I was younger, I never laughed. I was always sour. If I look at pictures of me from the past, I never see a smile. I think it came out of my insecurity. I had a lot of complexes.
It is far more important the law should be administered with absolute integrity, than that in this case or in that the law should be a good law or a bad one.
The life of a character should be an unbroken line of events and emotions, but a play only gives us a few moments on that line - we must create the rest to portray a convincing life.
I'll remember this to my grave. We all walked into a room to see the screen tests. The first screen test was Marion Hutton's. Then came Janis Paige [who ended up with a part in the film]. Then on the screen came Doris Day. I can only tell you, the screen just exploded. There was absolutely no question. A great star was born and the rest is history.
I've done two motorcycle pictures: I did 'Beyond The Law,' and I did one produced by Tarantino called 'Hell Ride,' with Dennis Hopper and David Carradine and Vinnie Jones. And I just think 'Hell Ride' was a lot more of what a biker movie should be. But the good part of 'Beyond The Law' was that I had a good time with Charlie Sheen.
When the people sat around on the porch and passed around the pictures of their thoughts for the others to look at and see, it was nice. The fact that the thought pictures were always crayon enlargements of life made it even nicer to listen to.
Reverse-engineer Hollywood is how I think of it. All the social-media stars are going in the back door, and everyone's trying to get in the front - there's a line outside. And then everyone's trying to sneak around back, but then there's security, you know? That's an analogy, I guess.
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