A Quote by Ian Curtis
I know someone who works in a record shop where I live and I'll go in there and he'll play me "Have you heard this single?". Singles by, er the group called The Tights, so an obscure thing... and a group called, I think, er Bauhaus, a London group. That's one single. There's no one I completely like that I can say "Well I've got all this person's records. I think he's great" or "This group's records" it's just, again, odd things.
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This group right here is one of the most underrated groups in football. We don’t talk enough about this group. Very smart, they don’t leave the field, they play every single down, and they can cover backs and tight ends out of the backfield. This group is special.
I'm trying to get at this. That is, a man may know that he belongs to, say, a group - this group or that group - but he feels himself lost within that group, trapped within his own deficiencies and without personal purpose.
I listen to some of you guys out there, hyper-reformed boys, you're concerned if you preach the gospel to the wrong person, the wrong person might get saved. So you don't want to preach it too good, 'well wait a minute, I don't think you should've been getting saved, I'm not sure you're in the group.' What do you mean in the group! If you breath you're in the group! If you have ears to hear you're in the group! And if you choose not to respond it's your own fault, not God's.
Da Pak was a group out of Chicago. It was a put-together group. We actually met for the first time at this showcase. They were like 'Yo, you should do a song together.' So we did. It just so happened that the name of the song was 'Wolf Pak.' They said, 'Y'all should be a group called Da Pak, and here's a record deal.'
Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this: Every group we belong to - by gender, sex, race, religion, age - is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.
I've always been opposed to groups. I can't believe the doctrine of group is going to work for every single person within the group.
When I was 15 years old, my cousin and I formed a singing group called The Altaires. And, because we became the most popular singing group in the Tri-State area, the rest of the group convinced me I should play the guitar - even though I didn't own one! So what happened was, my stepfather actually made my first electric guitar for me for $23!
As soon as you say that there is a community called, let's say, black Americans, you've immediately created a boundary line - who's in that group, who's outside that group.
There's this group online that I frequent. It's a group of prop crazies just like me called the Replica Props Forum, and it's people who trade, make and travel in information about movie props.
Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics - it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.
In the second group, we all know we can play, we all know we can impose our will on the game just like the first group can.
The modern tribalism of the left demands that each person choose a group and then agree with everything that group agrees with. And anybody who leaves that group is stoned to death.
This is a group effort. This is group theatre. This is no big star turn. You could do things with it to do that but it would just be out of kilter. This is one reason I like this play. This is a unit.
I joined a meetup group called Bay Area Parents for a Commercial-Free Childhood, which I had searched for, as I was going to start a group like it myself.
I haven't done anything with Chick Corea. He had a group called Return to Forever, and everyone in the group became a superstar. I would really like to work with him.
I was signed to a record label when I was younger. I was in a group, and I just wasn't - personally, I wasn't ready to get out there. I don't know. It was a pop group. Not like the Spice Girls, but when you don't have any control over anything, it's disheartening.
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