A Quote by Ian Doescher
The hardest part of writing 'William Shakespeare's Star Wars' was probably the sheer amount of iambic pentameter and tiptoeing around certain scenes I knew would be hot-button issues for 'Star Wars' fans.
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I rewatched a lot of 'Star Wars' when I did 'Rogue One,' and the thing I learned was that as a young person, consuming 'Star Wars' at the level that I consumed 'Star Wars,' it kind of molds your visual psyche, so you see the world in 'Star Wars'-ian fashion.
'Star Trek' is science fiction. 'Star Wars' is science fantasy. Based on the episodes I worked on, I think with 'Star Wars: Clone Wars,' we're starting to see a merging, though. It does deal, philosophically, with some of the issues of the time, which is always something 'Star Trek' was known for.
In writing 'William Shakespeare's Star Wars,' I had the freedom to go beyond the original script and add asides, soliloquys and even new scenes. The main characters all get a soliloquy or two - or in Luke's case, several.
Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
I don't consider it jumping ship. The 'Star Trek' philosophy is to embrace the diversity of the universe, and 'Star Wars' is part of that diversity. I also think 'Star Trek' and 'Star Wars' are related beyond both having the word 'Star.'
My friends and family are not really fixated on the specifics of 'Star Wars.' My parents don't know anything about 'Star Wars.' They've never watched a 'Star Wars' film.
I got to meet Mark Hamill. He signed some Star Wars posters for us. I saw the fight scenes he had. He was really into making fun of himself and Star Wars.
Whenever I do a play, there are 'Star Wars' fans at the stage door, and they're always lovely - so excited and so effusive about the storylines and the characters. When you're doing something really serious, and the 'Star Wars' fans are waiting outside, it's a nice juxtaposition.
I've done a couple of fan conventions and [the fans] are legion. They're rather like Star Wars or Star Trek fans. We're very glad of the loyal fans - but it's a strange way to spend your life, dressing up like Star Wars. At least we change our costumes - I don't spend 40 years dressed up as Tywin Lannister.
I talked to George Lucas once, not about Star Wars. Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.
Lucasfilm looks out for 'Star Wars.' What are the values inherent in 'Star Wars' that we want to protect? It's fragile to a certain extent in that it's a single IP.
'Star Wars' is life, but 'Star Wars' is also not very good, which is why 'Rogue One' - a Frankenstein's monster assembled from a butchered first cut and an excessively large space antenna that only exists to add another 30 minutes to the film - is one of the better 'Star Wars' movies.
I have three daughters who grew up while I was working on the special editions and the prequels. They got to be big 'Star Wars' fans. And, you know, I would see them identifying with a lot of the male characters, and I just thought, 'Star Wars' could use more good strong female leads.'
Apparently the new high-tech Star Wars toys will be in stores any day now. The toys can talk and are interactive, so they can be easily distinguished from Star Wars fans.
In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.
Star Wars' is such a phenomenal global supernova that anything that gets said about it becomes kind of fact and gospel, and then taken by the legions of fans who are so excited to have more 'Star Wars,' that they roll off on all sorts of flights of fancy.
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