The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
It's always nice to hit a home run, no matter if it's your first or your last. It's always fun, especially for me. I don't hit many.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
Organic'... means that the work is an extension of your blood and body: it has the rhythm of nature. There exists a state of feeling that when you reach it, when you hit it, you can't go wrong. The work carries a body rhythm. You can't do the slick... the gimmicky or dishonest.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
I don't think people are fans of me because I wrote hit songs. I think they're fans because I'm a lunatic or a weirdo. The hit songs came out of my idiosyncratic personality, not the other way around.
The Hit Stick is a tremendous invention. It really gave you control as a defensive player because most of the time, 'Madden' is such an offensive game. But the Hit Stick really gave you the opportunity to shine on defense for the first time.
I've been treated really well for 'Stick It.' There was this cop and he pulled me over and he was like, 'Oh my God, you're in 'Stick It.' I said, 'Yes. Yes. You're the last person I would think would be pumped up by this movie'. He let me go, so that was nice.
Pick a theme for your material, and stick to it for the entirety of the piece. The repetition of certain key phrases, however irritating they may sound, will give your set rhythm, and the illusion of structure.
My theory is that if you buy an ice-cream cone and make it hit your mouth, you can learn to play tennis. If you stick it on your forehead, your chances aren't as good.
Secretary of Defense Donald Rumsfeld said any assumption that the US would not use force against North Korea would be a mistake. Such bellicosity frightens liberals. The left's reaction to nutty despots is: he might hit me, so I'll be nice. Rumsfeld's idea is: He'll hit me? Maybe I'll hit him. The beauty of that approach cannot be denied.
You have no idea about presents or what they mean. The last present you gave me was a stick.” “You wanted a weapon.” “It was a stick.” “It had a bow on it.” “It was a stick.” “I thought you liked the stick. You laughed.
When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
Be nice to your siblings. They are your link to the past and the people most likely to stick with you in the future.
When I write, I'm talking to myself constantly to make sure that it sounds OK; it has kind of a nice rhythm and a nice jump to it.