A Quote by Ian Frazier
Words are charms. It's like a song you didn't even know you knew.
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But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
My brother was in high school and he had a garage band going, but no one would sing. They were covering a Hatebreed song at the time and I knew the words for it. My brother knew I knew the words, so he came inside the house and he's like 'Hey Mitch, come out here and sing'. I did it and after that I started a band with my older brother. That's how I got started.
I always knew 'My Dawg' would be a hit, but I didn't even know what a hit was. When I made the song I knew it sounded hard.
But I saw this video, not even the whole thing, and I just knew that it was going to be my favorite song for...for the rest of my life. And it still is. It's still my favorite song... Lincoln, I said you were cute because I didn't know how to say--because I didn't think I was allowed to say--anything else. But every time I saw you, I felt like I did the first time I heard that song.
You get tarred with the brush of 'Lady in Red.' I play Russia or China or places all over the world. They don't even speak English but they know the words. You get a big song like that, and people love it or hate it. And if they don't like it, they don't like anything at all by the artist.
Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
I know that sentence is long and has too many joining words in it but sometimes, when I'm angry, words burst out of me like a shout, or, if I'm sad, they spill out of me like tears, and if I'm happy my words are like a song. If that happens it's one of my rules not to change them because they're coming out of my heart and not my head, and that's the way they're meant to be.
There's something about making a song that everybody can sing and remember, and when you listen to it the first time, you already know the words by the second chorus, like you've always known the song. I'm obsessed with that idea.
When I feel it, I got it, 'cause, like, on 'Changes,' I didn't never know what that song was, never knew who it was or who did it, but Tom Brenneck asked me to do that song.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
Words are important to me, but a song can work and function and be a good song with words that are fairly standard. But really great lyrics can't rescue a dog of a song.
Sometimes I'll write a song first and then I'm like, "Oh this person will be great on this song." But there are some artists I know what want, like off the top I knew I wanted Brandy and Faith Evans. Their music is like the soundtrack to my life, so it was a personal thing for me. So once they said yes, I wrote songs specifically for them.
Perhaps it would have been easier if I said that not being able to find something is like suddenly not remembering the words to your favorite song that you knew by heart. It’s like suddenly forgetting the name of someone you know really well and see every day, or the name of a television show you watched for years. It’s something so frustrating that it plays on your mind over and over again because you know there’s an answer but no one can tell you it. It niggles and niggles at me and I can’t rest until I know the answers.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
I always knew Gordon Lightfoot was a really great songwriter, but his stuff even sounds better and better all the time. It's just so really good to me. It's just like that's what should be in a dictionary, you know, next to a really good contempory folk song, is a Gordon Lightfoot song.
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