A Quote by Ian Gillan
It was immaterial to me that Elvis didn't write his own songs. Those were very different days, and he selected whatever suited him best from material supplied by publishing houses and teams of writers - all of whom were extremely conscious of his style of delivery.
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His friends were those of his own blood or those whom he had known the longest; his affections, like ivy, were the growth of time, they implied no aptness in the object.
Every man should write a brief history of his life: his parentage, his birth, his religion, when he was baptized and by whom, when ordained, what to, and by whom-give a brief sketch of all his missions and of all his official acts and the dealings of God with him. Then if he were to die and the historians wished to publish his history, they would have something to go by.
Elvis Presley - his music, his movies, his photos. I come across a new image of him every day and try to imagine what he was thinking, what inspired him. His talent and beauty were just incredible, and his passion for life, family, and friends inspires me.
He was certainly in a confused state. I used to go and visit him in Callan Park. They were really - to me they were the best poets those two writing in those days but it wasn't very encouraging because, well, they weren't getting far were they?
I don't think it's unfair to have writers. I think if you're going to do a roast on television, as if you were doing a play or you were reading a script of a movie, you would have the best possible material. And those are the people who score, the people who are willing to listen to the roasting experts and then come out there and own that material.
Style! style! why, all writers will tell you that it is the very thing which can least of all be changed. A man's style is nearly as much a part of him as his physiognomy, his figure, the throbbing of this pulse,--in short, as any part of his being is at least subjected to the action of the will.
The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.
People just didn't write songs that were so directly emotional in those days. They still don't. Part of Hank's [Williams] thing was that he was opening up about relationships between men and women in ways that nobody else did, and I think that's something that made him stand out so much. His songs are just so straightforward about these really deep feelings that are universal, but they're so hard to write about without sounding sappy or over the top. You think of men in that era - they didn't express themselves that way.
There were the days when women were under contract, and they were thought of as a commodity, so they hired the best writers and a lot of them were women at the time. This was in the thirties and forties, to make product for the people who were under contract, who were their assets to the studios. But that doesn't exist anymore - and as a result, the people who are in the industry write products that interest them.
Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?'
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
One of the most gracious dispensations of God concerning His saints is their lovely unawareness of sanctity. The nearer they move to Him, the more conscious are they of sin. If it were impossible at times not to note their own growth in grace, it were impossible also to forget that it was all by His power. If they could be persuaded to admit their progress and talk of it at all, the language of their heart would be this: 'If God could do this in me, He could do it in anyone
If it were not for the Eucharist, if it were not for this marvelous manifestation of God's love, if it were not for this opportunity to place ourselves in the very real presence of God, if it were not for the sacrament that reminds us of His love, His suffering and His triumph, which indeed perpetuates for us His saving sacrifice on the cross, I am sure that I could never face the challenges of my life, my own weakness and sinfulness and my own need to reach out to the Living God.
That is what diminishes the artist and his song. The artist is now hermetically sealed. The publishing company got him his deal and they expect to profit from his songs. So what if he is a better singer than a songwriter; let's put him in a room with a real songwriter. Something great is bound to come...except very often nothing great comes out of such contrived match-ups. Nobody knows where a great song comes from, and that's why so many writers credit the Lord as a co-writer (though I notice they never offer Him half the writer's royalties) when they come up with a real gem.
First I found [Elvis] to be a gentleman and then a gentle man. I found he could be sensitive to small issues. For someone of his stature there is very little for him to notice, ya know? He's so insulated by the people who surround him and by his own popularity. And yet Elvis will still find little things. He'll take the time to be gentle with people.
We would play songs live on stage, and then we'd watch their reaction we were receiving immediately, if people were dancing and singing along. If they weren't, then we'd go into the dressing rooms of the different NBA teams that we were playing in their arenas, and we'd change the songs right there.
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