A Quote by Ian Gillan

If you start adapting to audiences, you're really second-guessing the situation, and it becomes a bit more like cabaret. — © Ian Gillan
If you start adapting to audiences, you're really second-guessing the situation, and it becomes a bit more like cabaret.
I feel like I'm adapting to society. I went feral a little bit. I found that when I would get back to the city, if there was any second-guessing about stuff, it would happen.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
Confidence is everything. If you start second guessing yourself, you're bound to run into more bad outings
If you make a decision in your life, even one as eminently logical and self-improving as "Why'd you start washing your hair every day?" and you start getting questioned hourly about it, you're going to start second-guessing yourself.
When you start using test audiences, it becomes more scientific than it is about the work itself, and that's boring.
There's a bit more of a safe distance when you're making a narrative movie, a bit more perspective. Audiences can separate themselves from the harsh reality of the facts a little bit more and think: 'Okay, how do I consider this?'
You get frustrated when you don't win and when you're not successful. You have to keep battling. You don't give up. You don't start second guessing yourself.
Most films I work on, the people making the film are constantly second-guessing the executives of the studio, the producer, and the audience. It is very hard to accomplish anything in that situation.
As soon as you start analyzing comedy is when the world starts to fall apart, and we're second guessing it. And we are way too sensitive.
American audiences are just the same as any other audiences. Except a bit more boring.
I'm not second-guessing myself as much as I used to, and I'm not second-guessing the people in my life as much as I used to.
If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is.
I've enjoyed appearing in Atlantic City. East Coast audiences are a bit brighter than Las Vegas audiences. I think most entertainers will tell you the same thing. The East Coast audiences are more perceptive - especially when it comes to a performer with a theatrical background.
I've had times when layups didn't go in, you start second-guessing yourself. It's how you come at it and how you react to it.
In order to create a little bit of confidence, start cooking with pasta. Pasta is phenomenal. Once you've cooked pasta properly for the first time it becomes second nature.
I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
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