A Quote by Ian Gillan
The Hall Of Fame thing, it's an American thing. We don't have that in England or Germany or Australia or Russia or anywhere in the world apart from America. And it's an institution. What's that got to do with rock and roll?
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That whole Rock And Roll Hall Of Fame thing - at least half the people in there don't have a place in any kind of hall of fame anywhere, in my opinion.
The Rock and Roll Hall of Fame is marketing. You've got a bunch of faceless people in a back room who trademark a name that sounds very official. Well, if you had thought of it first, you would have been the Rock and Roll Hall of Fame.
Most of the people who are given these Rock n' Roll Hall of Fame things sell millions of records, so it's kind of like a trophy for them. But for the Ramones, it really was a symbolic gesture of, 'Yes, you guys are special and are important to rock n' roll.' So in that sense, the Roll Hall of Fame served its purpose.
I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.
I'm not a big fan of the Rock and Roll Hall of Fame. It's just a personal thing, not an ego thing.
I'm in the Rock and Roll Hall of Fame, the Songwriters Hall of Fame. Jimmy Page gave me the MOJO Maverick award. I got an Ivor Novella Award for my very first song.
I think the Rock and Roll Hall of Fame, first of all, has got to be put into the context of being an American cultural showcase. It's there to be a museum showcase of all that's great about American music.
I never thought a Rock and Roll Hall of Fame in Cleveland or anywhere else was a good idea.
If there were 3,000 people in the Rock and Roll Hall of Fame, the musical education would be so much better than this little elite thing.
...what happened in New York and Washington is the same thing that England and America did to Berlin every day for three years during World War II -- and Germany did the same thing to England.
I'm in the Rock and Roll Hall of Fame on the One-Hit Wonder Wall. I'm still very troubled by the fact that I'm in the hall and my dad isn't.
I am one of the biggest Laura Nyro fans. I still listen to that stuff incessantly. Laura Nyro does not belong in the Rock and Roll Hall of Fame. Songwriter Hall of Fame? Absolutely.
For me, when you get to the Rock and Roll Hall of Fame, there's a side of me that goes, "What does that mean? Are you still relevant after that? Do they put you on the shelf along with the award?" I don't know, but that's the last thing we wanted.
Now, I don't know how they judge all that, but if anybody in the world deserves to be in the Rock And Roll Hall Of Fame, Ritchie Valens does.
The Rock and Roll Hall of Fame traditionally has had a management style that is very supportive of American talent, first and foremost, over everything else. And I think that's right and proper.
The Rock and Roll Hall of Fame is a canonizing institution. Jann Wenner has worked to make Rolling Stone the keeper of the canon since 1970. I don't like that, because he uses institutional power and he uses economic power to enforce those standards.
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