A Quote by Ian Gillan
It wasn't slung together by a producer and a publisher. We decided we were going to take hold of our music and let it evolve organically.
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I wasn't sure what I wanted to do with my life. I always wanted to pursue either music or comics, so when the opportunity came from comics publisher Fantagraphics for my brothers Jaime and Mario and I to make a comic book together, we jumped at the chance: "Let's just do it and see what happens." Really, we weren't sure where we were going to go with it. We thought our work was good enough to be out there, but we didn't know that the response was going to be pretty good, pretty quick.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.
Obviously, Ian Paisley and I were regarded as very bitter opponents. When we decided in March 2007 to govern together, both of us understood that we weren't going to change our views but that we had to work with one another if we were to end the conflict and move forward.
I don't think you can mix classical music and reggae. It's not possible. But some producer in, like, Norway is going to put it together.
But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
I think I'm a whole lot to handle. I definitely am, on every aspect. I'm the video director. I'm the graphics designer. I'm the rapper. I'm the visionary. I'm the music producer. I'm the executive producer. I'm just going to end it off to be poetic: I'm the future of music.
I think the thing I miss most in our age is our manners. It sounds so old-fashioned in a way. But even bad people had good manners in the old days, and manners hold a community together, and manners hold a family together; in a way, they hold the world together.
I was burned out, and my wife and I were having our first kid, so I wanted to take some time off. In this business, if you take too long, the landscape changes. So the opportunities that were there when I decided to take a break weren't there when I came back.
I think a lot why our lives shows are good is because of the crowd, and because of the energy that they bring. Also, there was a time when a lot of the people that came to our shows were a bunch of drunk bros. At a certain point, we decided we were going to start calling them out. We also decided to become more gay-positive and feminist and all that stuff, and that we were going to be really vocal about it. After that, our crowd became a lot friendlier, and honestly a lot more fun.
But from the moment George Bush decided to overthrow Saddam, the people who were going to benefit here were the Shia, who are 60 percent of the population. So if you were ever going to have an election, then the Shia would take over.
But we got up there and decided to stick to this mix of power chords and funk and that's where it really started for us. In having the courage to take that decision. To take a gamble not just with our music but our lives
But we got up there and decided to stick to this mix of power chords and funk and that's where it really started for us. In having the courage to take that decision. To take a gamble not just with our music but our lives.
People looked at me - people still look at me - as 'this is Gucci Mane's producer.' But the music that me and Future put together was so different than what me and Gucci do, it just made people look at the music like, 'Hold on - Zaytoven is the real deal.'
At O'Reilly, the way we think about our business is that we're not a publisher; we're not a conference producer; we're a company that helps change the world by spreading the knowledge of innovators.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
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