A Quote by Ian Gillan
If there was such a thing as a typical English gentleman in rock music, then it was Jon Lord.
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If we have to put music into baskets, then the progressive rock bands I fell in love with as a teenager made sounds that shaded into jazz, folk, metal, and in the case of the wonderful (and sadly missed) Jon Lord, modern classical music.
Rock music is a funny thing: You can actually take it too far sometimes, and then it's not rock music anymore - it's something else, but it's not rock.
The English, the plain English, of the politest address of a gentleman to a lady is, I am now, dear Madam, your humble servant: Pray be so good as to let me be your Lord and Master.
"Smooth Sailing" and "Hall of Fame" are my top two nicknames. "Cool Guy." "Jolly Jon." "Fun Jon." There's a lot of derivatives of Jon. "Cool Jon." Some people took "Smooth Sailing" and "Fun Jon" and made "Smooth Jon." That's a good one. It's just starting to catch on with the general public. Just every now and then, "Hey! Smooth Jon!" Or "You're Smooth Jon, right?!" People aren't quite sure. I'm like, "Yeah." "Okay, cool, that's what I thought!"
We went through rock 'n' roll, which then became just rock, then punk rock, then the worst disease of all - rap music. It's an oxymoron, because rap is not music.
As a kid, my parents had the typical stuff going on in the home, like Bee Gees, The Carpenters. Then I got exposed to what my brothers were listening to: a lot of classic rock, Led Zeppelin. It was around the mid-'80s when the whole Electro-Techno-Pop-House music thing started happening in Chicago.
There was always a lot of American music in England until, obviously when the Beatles came around, then there was a shift towards English music, but before then American music was the main thing...
There was always a lot of American music in England until, obviously when the Beatles came around, then there was a shift towards English music, but before then American music was the main thing.
Jon has always been able to start off at a certain pace but then pick it up throughout the fight and then, at the end of the fight, his opponents are like, 'Damn, this guy is at another level.' I think that's what makes Jon Jones, Jon Jones.
I think there's a lot of writers who took rock music more seriously: Greil Marcus, Jon Landau.
When I was a young student, I only listened to foreign music, mainly rock music and hard rock. Then I surprised myself by discovering ethnic music. Now I like to listen to music from different places, and in many situations. Even when you work, some ethnic music calms the nerves.
Music was segregated in the '80s, and then in the '90s the boundaries started to break down, and rock kids got into electronic music. But then you got this reverse snobbery where people would only listen to electronic music and not rock.
When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.
When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.
The first time I met Jon Stewart was at the press conference that Comedy Central held to announce Jon would be the new host of 'The Daily Show,' which back then was not called 'The Daily Show with Jon Stewart.'
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.
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