A Quote by Ian Harding

I get recognized in the street really frequently, which is really shocking. I'm excruciatingly wary of any female under the age of 19. Even when some of them come up to me, they're usually very cordial, nice and polite.
I don't go out of my way to get noticed. When I'm in Scotland it's tough, because loads of people come up to me. They're always really polite. It's nice, it's fun and good to speak to people who aren't involved in tennis, but some have this habit of just staring at me and that makes me really self-conscious. I'd rather they came up and said hello.
Some people come up to me in public and they're like, 'Oh my God, are you Noah from TikTok?' It's so weird to get recognized for that. I think it's the really young fans who have never even heard of 'Stranger Things.'
Give a Little Bit has a wonderful message and makes people light up and I get them to sing with me. It really has a message that is very eternal and is needed even more today than it was when I wrote it when I was 19.
The word 'cult' is almost a nice way of saying a lot of people hate you, or have never heard of you. It means someone can come up to me in the street who's really into my stuff, who's seen everything I've done, but the guy standing beside them has no idea who I am. Even in Glasgow. I think that's cult.
I really hate being recognised. I'm quite a shy person, and I'm not very good at talking to strangers. So when people come up to me in the street, I just find it quite awkward. I don't really know what to say to them.
I'm often at odds with my colleagues, but I've managed to get legislation passed which will not even be attempted in other states. Rather than use the word "cooperate," I'll say there's kind of a peaceful coexistence, a wary watching of each other. I'm very courteous and polite, and people allow me to be. Some people have applied the term charming to me. I don't use that term unless I'm the snake charmer and they're the snake.
I grew up in a very polite family, and I suppose my parents were both very polite, and from the time I was a young boy, I suspected that there were passions seething underneath and not being mentioned, and that was something that came to preoccupy me. Somehow I had some drive to write down what people might really be thinking.
People are really nice in the world. The majority of every single person I meet is really nice. Some people get excited, and some people freak out when they accidentally run into me, but across the board most people are really nice, so I just like to treat people how they treat me.
I'm certainly really rather tall at 6 foot 3, and I've been this way since I was 14, but for years, women who are even 5 foot 10 have come up to me in the street and said, 'Oh, it's so nice to see a woman who is taller than me. I've always felt like a giant.'
I'm not a huge social media kind of guy, so I don't really know, I don't really ever get... at least in real life, I really don't get recognized. I think people seem to find it very difficult to connect me to characters I've played.
If people recognize me when I'm out in public, I'm very nice to them. I'm very nice to people even when they don't recognize me. I don't even mind if people come up to me while I'm eating dinner, but if they recognize me while I'm having sex, I refuse to sign autographs.
I've been pulled out of my nice new car and laid out in the street by the police, interrogated and then have them get in the car and roll off leaving me lying in the street without even saying 'Get up.' The humiliation that they can put on a black man because they determine that you ain't got the money.
I'm very surprised at Carol didn't get a best picture. Todd Haynes is an Academy darling, his period pieces are nothing short of brilliant, and they hold up. And I definitely feel like Carol speaks to, even though it's set in the past, it speaks to themes we're dealing with in life right now. It's really really shocking that it didn't get it.
I didn't want to be part of that tradition of French cinema that wasn't really watched by the people of my age. I didn't really care to be in the last André Téchiné or Claude Chabrol movie, even though some of them are really interesting. For me, it was much more important to work with Mathieu Kassovitz or Gaspar Noé. It was for me a question of identity.
The best messages in any given negotiation are really implied indirectly, come to the other person based on thinking that you're getting them to do - getting them to get some really solid thought behind their answers. And so a great thing to send someone in an email is, 'Have you given up on this project?'
Even now I can't stand being recognized in the street. I just hate it when strangers come up and try to talk to me. I'm pathologically shy.
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