A Quote by Ian Hart
Most good roles are written for young men. We are fixated on youth. So however much people say there is nothing wrong with being bald, the reality is once the hair is gone, you might not get the parts.
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I don't know where this is coming from. What's wrong with my hair? I'm like 'I just made history and people are focused on my hair?' It can be bald or short, it doesn't matter about my hair. Nothing is going to change. I'm going to wear my hair like this during beam and bar finals. You might as well just stop talking about it.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
In the whole of your absurd past you discover so much that's absurd, so much deceit and credulity, that it might be a good idea to stop being young this minute, to wait for youth to break away from you and pass you by, to watch it going away, receding in the distance, to see all its vanity, run your hand through the empty space it has left behind, take a last look at it, and then start moving, make sure your youth has really gone, and then calmly, all by yourself, cross to the other side of Time to see what people and things really look like.
I wanted to leave home, and I didn't know where I was going or what I was going to do or what would happen. That's youth, though. Being fixated on things. I was fixated on being a writer.
To be fixated on Sahaja Samadhi is to be fixated. To be fixated on the idea of being not fixated is fixation too. All these ideas and definitions about enlightenment become silly.
There are so many good roles for women out there, I don't understand it when people say the role choices are fewer as you get older. I find the opposite to be true - there are less good roles out there for the hot 20-year-olds because the normal girl parts just aren't interesting.
If we are to achieve a world free from nuclear weapons, we need the involvement of young people. Youth have energy, enthusiasm and many good ideas to share. Most importantly, however, it is young people who will be inheriting the problems which have been left to them by the generations past.
Being authentic can be a good thing in that often people who are fixated on that are also fixated on having very high standards, so they may maintain something they think has tremendous value. On the other hand, most of the kinds of music that I've been excited about are hybrid in their origins.
The Bible must be the invention either of good men or angels, bad men or devils, or of God. However, it was not written by good men, because good men would not tell lies by saying 'Thus saith the Lord;' it was not written by bad men because they would not write about doing good duty, while condemning sin, and themselves to hell; thus, it must be written by divine inspiration
Actors always have to fight for the good parts. There are so few good roles written for women each year, and when one is written like this every actress in town covets the role.
Years ago, when I first started wearing hair extensions, I would get mail from young girls, or young girls would come up to me and they would say, 'Tyra you have the most beautiful hair, like I could never grow hair like that!' And I would say 'Child, this is a weave!'
It was noted long ago that the front row of burlesque houses was occupied predominantly by bald-headed men. In fact, such a row became known as the bald-headed row. It might be assumed from this on statistical evidence that the continued close observation of chorus girls in tights caused loss of hair from the top of the head.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
Most parts in comedy, they're not really written for men. They're written for, like, these boy-men.
True worth is in being, not seeming- In doing, each day that goes by, Some little good, not in the dreaming Of great things to do by and by. For whatever men say in their blindness, And spite of the fancies of youth, There's nothing so kingly as kindness, And nothing so royal as truth.
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