A Quote by Ian Hart

I've only used my own voice about four times on film. — © Ian Hart
I've only used my own voice about four times on film.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is - oh dear! I shall never get to twenty at that rate!
There used to be times when I used to be bothered about box office, director, producer, the actress... If those ticks were marked, I used to say 'yes' to a film. Later on, my focus absolutely changed. Now if a character stays with me for two to three nights, I say 'yes' to the film.
If you ask a filmmaker to analyse his own film, it would take three or four years to do that, honestly. Because when you make a film, you have to be convinced about it. You are married to that film for a year.
I didn't have to express myself to anybody; I would just sing. And most of the times, when I initially used to sing, I used to get scared of my own voice.
If you lose three or four in a row, people start talking about retirement. They are not used to this sport like they are used to tennis. If you take a look at how many times Rafael Nadal and Roger Federer lost, it's all part of the game. Soccer is no different: teams go through bad times and then rise again.
I got more used to my own voice, but still it's hard for me to listen to my own voice, or hear the recordings.
I dub only four hours a day for a Tamil film because my voice doesn't stay strong for long hours.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
I have only prepared properly for the World Championship three or four times in my life. If I had gone about it professionally I would have won the title 10 times.
'Selma' is a story about voice - the voice of a great leader; the voice of a community that triumphs despite turmoil; and the voice of a nation striving to grow into a better society. I hope the film reminds us that all voices are valuable and worthy of being heard.
My mother had me on four times on TV show 'To Tell The Truth'. Four times. Only once as a contestant, but they had a bunch of kids on at the beginning of some shows, playing with toys or things like that.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
Believe in yourself and in your own voice, because there will be times in this business when you will be the only one who does. Take heart from the knowledge that an author with a strong voice will often have trouble at the start of his or her career because strong,distinctive voices sometimes make editors nervous. But in the end, only the strong survive.
I have a bunch of calendars I used before I went digital. Every once in a while, I'll open up one from 1991 and look at all the names and appointments and things that, at the time, seemed so important. Meetings that I was really worried about, things that I was getting calls four times a day about, and I wonder, "Where did it all go? Where are they now?" It's so strange, everything has disappeared. The only thing that stays behind is the work.
'Dil Chahta Hai' was too raw. We only thought about the film. We never thought where the film was going to go. We wanted to make a film on our own terms.
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