A Quote by Ian Hart
It's not any desire on my part to start playing dads, but it's a convention of drama. If you don't get the parts of young people going out to nightclubs, you have to play their fathers.
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Once you get out there and start playing basketball, whether the NBA or college or whatever arena you are playing in or who you are playing in front of, the juices start going, and you want to just go out there and play to the best of your abilities.
I'm lucky that I got to start acting when I was so young, and people put me in these movies. A lot of people don't get to play these parts because they start a little older.
It's true that old actors don't die, their parts get smaller. You're less likely to get the part, many parts, if you're playing people your age as opposed to people who are younger. There are fewer parts around.
Like any young person who gets into a political campaign, I joined out of a highfalutin' desire to change the world. But you start to see the sort of tactics people use. You start to see politics not only in the macro but in the micro of the campaign itself. Some people get turned off by this side of it. Other people are drawn to it.
The work that I've been trying to do with violence against women and children comes from seeing quite a bit of violence. I just think it's important that we try to help the young boys who are watching the fathers do it - because if it's OK for the fathers to do it, then these young boys are watching their dads and going, well, nothing's happening to them, so maybe this is OK. But actually, this violence needs to stop in the sandpits.
On the one hand, I always get the young ingenue, pretty parts. But I don't think of myself that way because I was an ugly duckling when I was growing up. I have to be reminded when I play a part sometimes that I'm playing the pretty girl.
So the result was that as one approached a political convention for most of the 19th century and for most of the 20th century until the 1960's, part of the drama was the fact that you didn't know ultimately who was going to be the nominee at the end of that convention week.
When I play, I stare at the left hand of whoever is playing lead. And I get to know what people are playing well enough that when they start going somewhere, once they arrive, I'm already there.
We need our Dads right now, we need strong fathers. I really want fathers to get close to their children.
I think that my experience as a single mom getting into relationships in an impoverished district with men that don't have options resonates with people. I don't get into the deadbeat dad thing. I don't think men innately decide to be irresponsible fathers. I think there's a backstory. They're given really bad choices. It's less deadbeat dads and more unemployed fathers, and some fathers decide to sedate and give up.
I like playing the social convention. If you're in a period drama, there's always something dancing underneath the surface as a human - but then you always have to conform to the social conventions around you, and those two things get to be juxtaposed against each other. You're being human, but you're trapped within the social convention of the time.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
I don't really do scales... I mean, I play parts of them, but then I bail and start playing parts of other things. The term 'scale' feels very scripted to me because I'm an improv player.
The natural thing in Africa is to start playing soccer at 8 or 9. You go outside and you play like kids play basketball here, and you grow a feel for the game. In Africa, the kids start playing basketball at 16 or 17 or 18, and when they get an opportunity to come here, they have been playing for only one or two years.
We know what happens to little black boys that have no dads; we've heard that, we get it. But no one is really saying that young women who are born without fathers have real serious issues especially when their mother had no father and the mother has issues.
I can't imagine not playing Wynonna, because I get to play so many different things. In any given episode, I get drama and comedy and horror and all the notes of life, and very few shows or movies give you that opportunity.
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