A Quote by Ian Hart

I was relatively technically adept. I can edit and wire up a light. — © Ian Hart
I was relatively technically adept. I can edit and wire up a light.
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
I'm close to my audience. I think I have more tools in my box than other guys who might try it. Also, I know how to do this stuff. I know how to write and shoot and edit. I'm technically adept and that helped with the website. You need a big skill set.
Quite a different thing is, if a seeker, dissatisfied by materialism and doctrines, and longing for spiritual support, will ask advice and information of an adept. In such a case the adept is obliged to supply the seeker with spiritual light and insight, according to his mental powers. Then the magician should spare neither time nor pains to communicate his spiritual treasures and lead the seeker to the light.
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
I'm not technically adept at music, but I'd love to be part of a discussion of where progressive rock ends and country music begins.
I do like a song that can look good on a page without even being sung. I edit and edit and edit.
I'm relatively physically adept and I like throwing myself around. Once, twice, but then you get to nine, ten, eleven and to try and make it look realistic all the time, that's not very pleasant.
The young are adept at learning, but even more adept at avoiding it.
I didn't want to give up my Illinois driver's license and was unaware that was a crime. It is, by the way, in the state of California. Lesson learned. I technically broke a law, so technically I deserve whatever I get.
The thing that's interesting about wire walking is that we never get to see it other than looking up. It's like a circus thing. It's a guy on a wire.
I'm looking forward to providing the men of Seattle with an evening where they can kick back, light up a cigar and enjoy a night to themselves. Women, we can't technically keep you out, but please stay at home.
It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
Artificial light is used because you can control it better. Technically, it is more homogeneous, more delicate, and less damaging to artwork. But I think it's interesting when the visitor can see variations in the light, when it is not only technical or suitable.
Take the time you need to learn the craft. Then sit down and write. When you hand over your completed manuscript to a trusted reader, keep an open mind. Edit, edit, and edit again. After you have written a great query letter, go to AgentQuery.com. This site is an invaluable resource that lists agents in your genre. Submit, accept rejection as part of the process, and submit again. And, of course, never give up.
I don't think writing stops until the film is out. In the edit, it's another draft. [The script] is the food for set, and then the set is food for the edit, and the edit is food for the screen. It's constant, and this is just the first stage of it.
My time is always divided when I prepare for a wire walk. First I dream, technically and artistically, and then I go to work, and I am the master rigger, climbing trees and ladders and constructing. Only then I change my cap and become the performer.
This site uses cookies to ensure you get the best experience. More info...
Got it!