A Quote by Ian Holloway

I feel like I've been on EastEnders all my life and now I'm playing King Lear. — © Ian Holloway
I feel like I've been on EastEnders all my life and now I'm playing King Lear.
King Lear by William Shakespeare frightens me. I've never done King Lear, I guess partially because my father dwindled into dementia in his last years and King Lear is such an accurate portrayal of a father figure suffering from dementia - the play was almost intolerable for me.
I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy.
When you're playing King Lear, you have to have a little humour, or you will have no tragedy when the king dies.
'King Lear,' I've been seeing all my life. I mean, the great actors of my lifetime... to join their company, as it were, by playing a part that's challenged them, is one of the great joys of being an actor who does the classics.
I want to keel over on stage playing King Lear at age 99 or something like that.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
I think you have to find the humanity in the character and then the deterioration is a part of the process - the journey of the character. It's like playing King Lear. You can start off as a nice old man who finishes up crazy.
It's been great; the whole experience was surreal to me. To go from 'EastEnders' to 'X-Men' was like a dream. I could never have thought when I left 'EastEnders' that I would get this good a gig and so soon.
I used to think 'King Lear' was an analysis of insanity, but I don't really think it is. When Lear is supposed to be at his most insane, he is actually understanding the world for the first time.
If you are playing King Lear you are the centre of attention anyway. You don't need to draw attention to yourself. It's all laid out for you.
I think William Shakespeare's like a passport through your life: as a kid hearing about a play with fairies or witches or ghosts, you get excited by that possibility. Then later on you become interested in the psychology or the politics or the beauty of the language. You grow up with the plays. King Lear is one that I don't feel grown up enough to do yet.
Some days it seems I've done as much as I can here and I think I'll go and try my luck in America. But then a call comes from the Globe theatre. They want me for King Lear, playing Edmund.
To watch King Lear is to approach the recognition that there is indeed no meaning in life, and that there are limits to human understanding.
It isn't difficult to leave King Lear or Macbeth, but once you have gone back to yourself, you want it to be the same self you have always been.
There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, 'Velouria'] - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
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