A Quote by Ian Holm

I grew up with the great Sir Laurence Olivier, and I think it's fair to say that a lot of actors of my age were influenced by his very individual vocal delivery. He was a showman who would always play to the gallery.
But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. I've had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
When I came into the acting profession, it was quite hierarchical. You didn't sit at the same table as the leading actor. Sir Laurence Olivier, Sir John Gielgud... these were very, very intimidating and powerful people.
Yes, it's true, I've been called the Laurence Olivier of spoofs. I guess that would make Laurence Olivier the Leslie Nielsen of Shakespeare.
Even if I hadn't been cast as Doctor Who, my acting would probably have been influenced by William Hartnell or Patrick Troughton, Jon Pertwee, Tom Baker, and all of the other guys. Because those were the actors that I really watched every moment of, as opposed to Laurence Olivier.
I would have liked Sir Laurence Olivier to ask me to go to the Old Vic and let me play all the roles Judi Dench got.
On Laurence Olivier as Hamlet in a 1948 film: Olivier's idea of introspection was to hood his eyes, dentalize his consonants and let the camera circle his blondined head like a sparrow looking for a place to deposit its droppings.
On my wall, along with my favorite football players and baseball players, I had Marlon Brando and Sir Laurence Olivier. These were childhood idols.
Suffice it to say, every actor works differently. Laurence Olivier would put on his costume and when the wardrobe was right, he was in character. That sounds superficial, but it's true, and look at the results.
There are some tremendous actors in the U.K. who have been knighted, and I've spent much of my life admiring many of them, like Laurence Olivier. So it's very flattering to be in their company.
I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.
To have a childhood surrounded by people like Sir Laurence Olivier and Vivien Leigh sounds glitzy, but for years I wanted to repress it. I couldn't take that kind of power and success.
There are some tremendous actors in the U.K. who have been knighted, and I've spent much of my life admiring many of them, like Laurence Olivier. So it's very flattering to be in their company. But you also end up in the company of people you don't admire, including some rather dodgy politicians.
People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.
A fan once stopped me outside a theatre and gave me as a gift a signed photograph of Sir Laurence Olivier. It was strange, but nice, too.
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