A Quote by Ian MacKaye
One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.
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Lisa understands me. I'm very complex, but I have trouble opening up to people. I tend to keep things to myself. All my life, I've been kind of shy - opening up is always a challenge and Lisa can understand that.
I do remember at my very first opening in 1979 another artist coming up to me, and he was haranguing me, saying, "Did you really intend for these things to be so dumb? You just put it there and took a picture of it." He wouldn't let it go. So that's what made me think about the dumbness aspect more.
It was nice doing my own Joy Division book to be able to put forward the fact that Ian was actually quite a nice guy and very hardworking, ambitious and loyal. But the thing was, he was battling such a dreadful illness in an era when they really didn't know how to treat it.
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
I think America is a new country. It is a young culture. The spirit of the opening of the West is still with the Americans. It's a very practical and individual-based kind of philosophy that had worked in America for a long time, had been very successful. And the spirit is very much there.
First time we played in New York was in 2013. It was all very eye-opening. A very bright lights, big-city sort of vibe, and we played the Mercury Lounge.
[I] had very high hopes for Israel and it's lived up to and surpassed what I had in mind... I've had such an eye-opening experience - a really nice glimpse into the culture and lives of Israelis and the Jewish people.
My very first gig was with the Sex Pistols, and it was also our first-ever gig. It was a very short set, and it was at Saint Martins College of Art in 1975. We were opening up for a band called Bazooka Joe, and their bass player at the time was Adam Ant, who went on to form Adam and the Ants.
I was in a band called Episode Six with Roger Glover, which was more of a harmony band, really. At one gig, there were a few dodgy characters leaning up against the wall of the venue - and we ended up joining their band. Purple was the talk of every musician in the country - they had something new and very exciting.
I always wanted to make a film that had this sort of Chinese-box effect, in which you keep opening it up and opening it up, and finally at the end you're at the beginning.
When I started out, the most terrifying thing was when I had to be very, very emotional in front of lots of people. Now I've kind of learned that it is very important to keep talking all day, keep making jokes, and be connected with people, and be present. It's very important for me to be absolutely present in order to be emotional. I learned that is sort of the way I need to be.
One of the things that I loved about when I met my husband was that he picked me up and he paid - I know that sounds old-fashioned but for me, most of my life, I always would split the bill or would always pay, or I would be very assertive about my independence and my financial responsibility. And I am a very strong woman and very strong-willed - but there was something really great about him taking care of me and treating me and opening the door and driving, and I am perfectly OK with that. And he still does it to this day.
I am rediscovering the whole sexual dimension of life at the age of 86, really. And that also means discovering the feminine. So the whole of this dimension, which I had been seeking for a very long time, is now sort of opening itself up to me.
To put it in gentleman's terms if you've been out for a night and you're looking for a young lady and you pull one, some weeks they're good looking and some weeks they're not the best. Our performance today would have been not the best looking bird but at least we got her in the taxi. She may not have been the best looking lady we ended up taking home but it was still very pleasant and very nice, so thanks very much and let's have coffee.
When I lived in Pinetop I just wanted to leave - I thought the city was where I belonged. But now that I'm living in the city, I love it for what it is. It's brought me closer to my art and put me in the right place as far as having people around me. It's very inspiring, but I miss our little town. There's something very simple and beautiful about growing up in a small place. That's where my heart is, for real.
My number one goal was to always have to opportunity to have an international business of some sort, opening in Paris, opening in Tokyo, opening in Singapore for example, that was always my dream, and so it came about.
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