A Quote by Ian MacKaye
Skateboarding is not a hobby. And it is not a sport. Skateboarding is a way of learning how to redefine the world around you. For most people, when they saw a swimming pool, they thought, ‘Let's take a swim.' But I thought, ‘Let's ride it.' When they saw the curb or a street, they would think about driving on it. I would think about the texture. I slowly developed the ability to look at the world through totally different means.
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All the coverage of skateboarding sucks. They couldn't care less when it comes to how skateboarding is portrayed. All I can do is portray it the right way when it comes to me. So skateboarders can look at what I'm doing and say, "Yeah, the only person doing it the right way is him." That's why Street Dreams was so important in being 100% true to skate culture. That's why the Wild Grinders are important in showing the different styles of street skating. That's why I get involved in building the skate parks. All I can do is show skateboarding the right way.
I think all of us thought that by the '70s, at the latest the '80s, all the world's problems would be solved and everyone would be getting along fine. And instead we saw that Martin Luther King Jr. was assassinated that year, Robert F. Kennedy died. We saw that it was going to be a lot more difficult than I think we had thought.
There's definitely a lot of people out there in the industry who feel that skateboarding shouldn't be a competitive sport. Or be a sport in general at all. Those are the people who want to keep skateboarding at the core side of things. But me personally, I love seeing the sport of skateboarding grow in general. It's just going to naturally happen.
I think that skateboarding can absolutely help make peace... I know skateboarding can bring people together. You can travel anywhere and if someone’s skateboarding, they like you regardless of where you’re from or what you do. You skateboard and that’s it.”
I wanted to be a visual artist, but I realized I was more affected by what I read than by what I saw. I would go to a show at a museum and look at a painting and say, 'Oh I wish I owned that,' and that would be the end of my relationship with a painting. With a short story I would read or with an author I would discover I could be haunted. It would affect my mood and affect the way that I saw the world. I thought, wow, it would be amazing to be able to do that.
DC and Monster have always supported my vision for street skateboarding, from building skate plazas throughout the world to now creating the first-ever professional skateboarding league.
Street League Skateboarding is the premier professional skateboarding league in the world, with the biggest prize money in history.
Think about how much skateboarding opens your eyes to see the world differently.
In Shanghai, I saw great contrasts. On one street there would be impressive shops selling copies of the latest word in glamorous European fashion, and around the corner on a back street there were poor families crammed into one room with a naked light bulb. One evening I heard a Chinese family singing "Happy Birthday." It was weird. You would have thought that they'd have their own happy birthday song. Every dominant society in the world - whether it's French or British or American - imposes its culture on less developed societies.
If people thought about food more like how we think about the environment, a lot of people would be eating differently and the whole system would look a lot different.
You can tell the state of civilization by the way people dress. If the people who fought two World Wars came back to 2010 and saw all of us running around in tracksuits, what would they think? It is just about being sloppy.
If you look at the success of snowboarding in the Winter Games and how that's brought a more youthful edge to the Olympics in general, they don't have that with the Summer Games. They don't have anything that's drawing in a younger viewership. To be honest, I think they need skateboarding more than we need them. Skateboarding's popularity is solidified for the most part in a lot of countries.
I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.
Skateboarding has always been and continues to be creative and rebellious. Art and design are an extremely important part of skateboard culture, even if it's not recognized by the more elitist or pretentious members of the art world. Skateboarding itself requires creative adaptation to the streets and obstacles. My background as a skateboarder helped me to be a better street artist because I was already conditioned to look at the terrain opportunistically.
When I moved from Armenia to L.A., I moved to North Kingsley Drive. That was my street, that's where I grew up and I saw everything there. I started skateboarding there. I witnessed homelessness, the poor, you know, I noticed gangs. I learned about friendship.
You know what I was thinking about on my way home? How different my life would be if you’d made that gash a little deeper. Or how different yours would be if I’d vaulted myself off a roof nine years ago. Do you ever think about things like that? Like, if either you or I wouldn’t have made it, where would the other one be right now? It was something I thought about all the time: how death changes every remaining moment for those still living.
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