A Quote by Ian MacKaye
There's also a lot of skateboard stuff, because I was a skateboarder. Somewhere around here I have one of my original boards.
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I was a skateboarder when I was little; I still skateboard. I teach my kids how to skate.
No one can tell me what to do on my skateboard. My skateboard is my safe spot. I can learn tricks, I can have fun, I can do whatever I want on my skateboard.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
I have vision boards, and people think that I put the vision board up and I look at it all the time, but what I do is, when I'm having an emotional time and I'm stressed out or feeling bad, I go to the store and get all the stuff for a vision board. Instead of channeling the negative thoughts or being depressed, I change it around and I start making boards.
Skateboarding has always been and continues to be creative and rebellious. Art and design are an extremely important part of skateboard culture, even if it's not recognized by the more elitist or pretentious members of the art world. Skateboarding itself requires creative adaptation to the streets and obstacles. My background as a skateboarder helped me to be a better street artist because I was already conditioned to look at the terrain opportunistically.
I was a real skateboarder, not a gifted skateboarder. I represented that skateboarding was fun to do by being terrible at it.
If being a skateboarder were a personality type and not actually an athletic activity, then I'd say I'm a skateboarder. But I don't ride one. I'm a bicycle person.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
Growing up in Huntington Beach, you were either a traditional sports athlete, a skateboarder, or a surfer. I got my first skateboard when I was five and skated off and on over the years, did a little BMX racing as a kid, and then in my freshman or sophomore year I started getting a little bit more into skateboarding.
People turned around and came back to watch. An enormous crowd formed. Ampol Oil took films. When we left Australia, we also left our boards for the Aussies. Those films were shown all over the country to different clubs. The films and our boards became the basis for the modern surfboard movement in Australia.
When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.
The biggest challenges are in the same vein. It's about retaining all that stuff. Also, the physical stuff is not as easy as we originally thought. I play a lot of sports and I remember saying, "Oh, I'll be fine, running around or doing anything."
My best vacation is somewhere I could hide, somewhere warm and not a lot of people around.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
Working with the brand has taught me to keep it classy but also shake things up. I love that about Chanel because I get to be pretty, but I also get to ride my skateboard in Chanel.
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