A Quote by Ian MacKaye

I stand behind all the lyrics I've ever written; I don't have a problem with that. — © Ian MacKaye
I stand behind all the lyrics I've ever written; I don't have a problem with that.
I don't like lyrics that are just thrown together, that were obviously written as you went along, or the song was already written and the guy made up the lyrics in five minutes.
Melody is king, and don't you ever forget it. Lyrics appear to be out front, but they're not; they're just an accompanying factor. If they're good, you're really in good shape. Lyrics are written to be rewritten.
Rap music is amazing, it's beautiful. But the problem is the lyrics. The person who writes the lyrics - that's the problem.
I haven't written too many political lyrics. Nor have I written any pro-Canada lyrics, any kind of jingoistic, nationalistic cant... That stuff doesn't interest me and I don't even know if I could write that if I tried because I don't really feel it.
Rap lyrics are really the only thing I've ever written.
Lyrics should not need to stand on their own; many of [Bob] Dylan's do, but in common with other great lyricists, he has written plenty that falters on the page but soars in song.
'Mama I'm Coming Home' is one song that I think is incredible. One of his best songs ever written. Lemmy wrote the lyrics to that.
I don't know why, but there's a certain element of panic in writing lyrics that I'm not sure I enjoy. I don't write lyrics first, ever. I've never done that. So, in a sense, the lyrics are a bit of an afterthought - it's music first.
I feel the most alive when I'm singing. I also get to be the mail man for some of the most beautiful lyrics ever written.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
The question now becomes about defining your terms. What is literature? Unless we allow it to encompass the oral tradition from which it grew, which means taking it back to Homer and beyond, it demands the written word - poetry and prose. [Bob] Dylan is no slouch at the written word, both in its own right, and transcribed from his lyrics, which have often been acclaimed as poetry and may well stand up as such. But that is not his métier.
Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.
People know my lyrics; they know the stuff I've written, and it's all about life, love, happiness, and these big euphoric moments. It would always bug me when I'd go to a club, and they're playing some chick on a stripper pole on the monitor behind me. I'm like, 'So that's not what I do - that's the other guy.'
If you can say the lyrics almost like a poem and they stand up, that's a great thing. Some songs have great lyrics and I don't like the melodies, and vice versa.
I was always interested in trying to find how different genres would affect the lyrics that I'd written. Salsa is where most of my songs have been recorded, the genre of salsa. It's very frenetic, fast-paced. And I felt that the lyrics sometimes were being lost.
For the record, I am not an admitted homosexual, nor am I a homosexual, though I do know the lyrics to every show tune ever written, which might perhaps account for the confusion.
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