A Quote by Ian McDiarmid

If you're any kind of artist, you've got to ... keep opening yourself to new possibilities. — © Ian McDiarmid
If you're any kind of artist, you've got to ... keep opening yourself to new possibilities.
It's not only moving that creates new starting points. Sometimes all it takes is a subtle shift in perspective, an opening of the mind, an intentional pause and reset, or a new route to start to see new options and new possibilities.
There's an idea that it's hard to be a woman artist. People assume that women have fewer opportunities, less power. But it's not any harder to be a woman artist than to be a male artist. We all take what we are given and use the parts of ourselves that feed the work. We make our way. Photographers, men and women, are particularly lucky. Photography lets you find yourself. It is a passport to people and places and to possibilities.
Ask any rapper or singer what artist they are an expert on. What artist are they looking to emulate, and really, what artist is the one person they are an expert on? You see, if you want any kind of longevity, if you want any kind of legacy, you need to know what ancestral line you are from.
Any artist who really engages with the problems in their medium at that moment and tries to deepen the problems is likely to discover new problems, new possibilities that will excite audiences and continue to excite them.
I hope what I do has an art to it, and as an artist you have to try new things and keep yourself entertained.
What you get is the opening of your mind. I'm not preaching any new religion; I'm ritualizing everyday activities. You drink the water. You count the rice. You sit in Crystal Cave. You lie in Levitation Chamber. You push yourself to a new level.
As a film-maker, it's only natural to feel happy about new possibilities opening up.
We are the opening verse of the opening page of the chapter of endless possibilities.
To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.
I think a 23-page ordinary comic is an investment for the artist, but if you're doing something 60 to 104 pages, that's a really big investment for an artist. So unless you've got someone who wants to pay you while you're doing it or up front, it's kind hard to get someone to do that with you, unless you're the artist yourself.
I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.
You've got to bear it in mind that nobody that ever lived is specially privileged; the axe can fall at any moment, on any neck, without any warning or any regard for justice. You've got to keep your mind off pitying your own rotten luck and setting up any kind of a howl about it. You've got to remember that things as bad as this and a hell of a lot worse have happened to millions of people before and that they've come through it and that you will too.
We keep moving forward, opening new doors, and doing new things, because we're curious and curiosity keeps leading us down new paths.
We keep moving forward, opening up new doors and doing new things, because we're curious... and curiosity keeps leading us down new paths.
That's the artist's job, really: continually setting yourself free, and giving yourself new options and new ways of thinking about things.
We all have the same destiny. The difference is opening ourselves up to possibilities to joy, hope, and happiness along the way. Give yourself and others a chance to take advantage of what's out there and available.
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