A Quote by Ian McDiarmid

But he did say that the character would be on the sidelines in movies One and Two, and move into the middle with number Three, but I didn't realize he would move in with quite such a bang.
In my opening seconds, I would say, "It's great to be here," then move to several other spots on the stage and say, "No, it's great to be here!" I would move again: "No, it's great to be here!
You know how mountains get moved? Everyone who can move a couple, move a couple. Those who can move rocks, move rocks. Those who can move boulders, move boulders. That's how mountains get moved. If every one of us did everything we could, I believe we would be in a different world.
Things like, people saying the new album would debut at number one on the Billboard Charts in the U.S. and I said, "No it's gonna be number Three." Because Number 3 is a very powerful number on the album. It's repeated quite often. Then it did chart an Number 3. Was it a coincidence you decide. If your in touch with your subconscious, you can really use it to your advantage
I really would move to L.A. I'm thinking so hard about it. Like, I wanna move to L.A., but I'm such a New York City girl - the fast life, the runways on the street - but I love L.A.'s vibe, so I would move here, but I'm still thinking about it!
According to a new survey, 40 percent of adults in Mexico say they would move to the United States if they got a chance. The number would have been higher, but the other 60 percent already live here.
If I had to, I would ask first of all: why do things move in your work? It's the most simple, and also the most complicated, question. And I answer: things move because if they didn't move, they might move?.
I would tell people my dad was all the characters he's played in movies, because once you say he's a lawyer or something, they move on.
There is no question that a very large number of people have to move; you cannot live where the water comes over you. I have not heard one suggestion on how we are going to move one hundred million people out of low-lying areas and what countries would be willing to accept them.
I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.
If I am practicing on the wire, and you pushed me, I would not move, and if you take a piece of wood and beat me up on the shoulder and the head, I would not move. You would not put me out of balance. You would not be able to. I am solid as granite when I am on the tight rope, and I should be.
I'm a lot more focused on character development and showing more of my character's emotions and persona inside the ring rather than just going move after move after move.
I don't think actually that kind of ego check or "I could do better" mentality probably serves better in Hollywood, because it's definitely not a meritocracy. You can look at any number of careers and sort of see that they don't really make sense if it was only based on your movies working either creatively or financially. There are people that move ahead without that, and there are people that don't move ahead even if they did have that.
A very successful woman, Palin has the wherewithal to move forward consciously. What she did was move forward thoughtlessly and overconfidently, without considering that her abilities or qualifications would ever be questioned.
As people grow up and they want more freedom, it's on an individual basis, children want to have more freedom, you've got to allow that, so how do you balance it. I would say let it evolve, move as quickly or slowly as people would like to move.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
You can't anticipate history. It's only when you look back you see what the Romans did, and what various other empires did, what the British Empire did. We're now beginning to see the long shadow that it created, so one must be hopeful and say that what's going on in Asia, that what's going on in the Middle East, that all these various areas of conflict, that they will pass and move onto another area. But it would seem that the natural order of things is there is this cyclic behavior of destruction followed by a calm period.
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