A Quote by Ian Mcewan

Arguing with a dead man in a lavatory is a claustrophobic experience. — © Ian Mcewan
Arguing with a dead man in a lavatory is a claustrophobic experience.
Poetry is a man arguing with himself; rhetoric is a man arguing with others.
I usually have about four books on the go - a bedside book, a lavatory book, a downstairs book, and the book in my study that I read sneakily while I should be writing. Short stories for the lavatory, obviously.
In my experience, if you have to keep the lavatory door shut by extending your left leg, it's modern architecture.
In petrol stations on the motorways where people have left the place looking messy, I clear up each lavatory I happen to have occupied. When people drop paper on the ground, and everything like that, I pick it up, put it in the lavatory, and make that room look nice.
When your vision is a biblical vision, the people arguing with it are not arguing with you. They are arguing with God.
I'm claustrophobic. I can't go into haunted houses. They have these tight, dark, enclosed space. I freak out. That's my phobia. It gets me out of stuff. Someone asks me to do something and I tell them I can't because I'm claustrophobic.
Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.
I boast of being the only man in London who has been bombed off a lavatory seat while reading Jane Austen. She went into the bath; I went through the door.
But what are a hundred million deaths? When one has served in a war, one hardly knows what a dead man is, after a while. And since a dead man has no substance unless one has actually seen him dead, a hundred million corpses broadcast through history are no more than a puff of smoke in the imagination.
It's not in the draftsmanship, it's in the man. Like I say, a tool is dead. A brush is a dead object. It's in the man. If you want to do it, you do it.
A dead man in Spain is more alive than a dead man anywhere in the world.
In the Twentieth Century war will be dead, the scaffold will be dead, hatred will be dead, frontier boundaries will be dead, dogmas will be dead; man will live. He will possess something higher than all these-a great country, the whole earth, and a great hope, the whole heaven.
I'd rather laugh - not fuss and fight. You can articulate your point without arguing. When you're arguing constantly, you just need to say, 'You're real cool, but you're not for me.'
I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.
Arguing with a man doesn't work.
When I'm flying, I really like to listen to piano music. Something impressionistic, loud and beautiful. Flying can be such a claustrophobic experience, it's nice to open that up a bit with music.
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