A Quote by Ian Mcewan

Four or five years - nothing at all. But no one over thirty could understand this peculiarly weighted and condensed time, from late teens to early twenties, a stretch of life that needed a name, from school leaver to salaried professional, with a university and affairs and death and choices in between. I had forgotten how recent my childhood was, how long and inescapable it once seemed. How grown up and how unchanged I was.
In our personal and professional lives, we are constantly hit with one adversity after the other, most of which we have no control over. But the four things we have total control over is how we react, how we adapt, how we breathe, and how we take action.
…tomorrow was her birthday, and she was thinking how fast the years went by, how old she was getting, and how little she seemed to have accomplished. Almost twenty-five and nothing to show for it.
Time, how short-eternity, how long! Death, how brief-immortali ty, how endless!
People are salaried for the work they do, not the specific hours they sit at their desks. When you ding salaried employees for showing up five minutes late even though they routinely stay late and put in time on the weekend, you send the message that policies take precedence over performance.
It isn't a matter of how long, or even how much you know. It's a way of looking at things, how much you see and how you think. I suppose it's, well, perspective. . . When you start seein' five sides to a four-sided object, that's when you get the gray robe.
How many times, over how many years, had he—a grown man—asked for the mercy of another chance? He was suddenly so sick of himself, so revolted, that he could have groaned aloud.
How late is it? How long have we been sitting here? I look at my watch – three thirty and the day is almost ending. It’s October. All those kids recently returned to classrooms with new bags and pencil cases will be looking forward to half term already. How quickly it goes. Halloween soon, then firework night. Christmas. Spring. Easter. Then there’s my birthday in May. I’ll be seventeen. How long can I stave it off? I don’t know. All I know is that I have two choices – stay wrapped in blankets and get on with dying, or get the list back together and get on with living.
There are so many people we could become, and we leave such a trail of bodies through our teens and twenties that it's hard to tell which one is us. How many versions do we abandon over the years?
Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.
Before I even knew what stand up was, I tried to make people laugh at school because that was how I made friends, so I think that's how I got drawn into comedy and obviously I was just some kid at school being silly, so the first time I saw a professional comedian and how smooth and funny the person was I totally got into standup and I would say obviously Richard Pryor was the guy. He's the greatest of all time and then George Carlin, Sam Kinison, Bill Cosby. It's so weird to bring up his name now but leaving out his off-stage antics... you could learn a lot from him.
In many ways, the physical dimension of life becomes less important as the soul enlarges. In my late twenties, I was astonished by the elders with whom I began to spend most of my professional time - how vivacious so many of them were, once I looked beyond my negative bias.
The first fiction I ever wrote was short stories. I was writing short stories in my late teens and early twenties, and I think it's how you teach yourself to write.
When we understand the connection between how we live and how long we live, it's easier to make different choices. Instead of viewing the time we spend with friends and family as luxuries, we can see that these relationships are among the most powerful determinants of our well-being and survival.
Howard University shocked me into realizing how desperately sick the Negro could be, how he could be led into self-destruction, and how he would not realize that it was the society that had forced him into a great sickness.
The greatest thing about the Wiggles, and how they started, was they had that great background of early childhood development and that's what they were studying at the university at the time.
I didn’t know how I could live with that knowledge, without it eating me up, without it poisoning every happy memory I had of growing up. Without it ruining everything Beck and I had. I didn’t understand how someone could be both God and the devil. How the same person could destroy you and save you. When everything I was, good and bad, was knotted with threads of his making, how was I supposed to know whether to love or hate him?
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