A Quote by Ian Mcewan

I like to think that each book I start is a completely new departure But I’ve learned that whatever you do, readers will have no difficulty assimilating it into what you’ve done before.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
I try consciously to keep myself entertained and challenged to not repeat myself at all. Like, when I start a new book, my goal is to pretty much throw out what I've done and try something completely different that I think initially I cannot do.
Originality is also very important to a writer. And all of the writers I've mentioned, of course, are original, but it's important to me that every book that I do be really a completely fresh and new look at the world. And of course, that makes it frightening to start a new book because you can't really depend upon what you've done with previous books.
It feels wonderful to get praise from other authors who I admire, but with each new book, my confidence is always the thing I struggle with the most until I start getting positive feedback from readers.
If you read the whole Vertigo 'Animal Man' series of 89 issues or whatever, each writer has a completely different take on his origin. If you try to put them all together, they contradict one another. I had to pick and choose to make up a new origin that makes sense to new readers.
I always want readers to lose themselves completely in a story and feel something, whatever the book invites them to feel. That experience is the best takeaway any book can offer.
You write differently in each book. It may appear to be similar to readers, but you're a different writer in each book because you haven't approached that subject before. And every subject brings out a different prose strain in you. Fundamentally, yes, you're contained as one writer. But you have various voices. Like a good actor.
A reader is entitled to believe what he or she believes is consonant with the facts of the book. It is not unusual that readers take away something that is spiritually at variance from what I myself experienced. That's not to say readers make up the book they want. We all have to agree on the facts. But readers bring their histories and all sets of longings. A book will pluck the strings of those longings differently among different readers.
Each film and each character is a completely new set of challenges. It doesn't feel like you can rest on something you may have done well in the past.
If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.
I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.
When I start gearing up to do each new season of 'Murdoch', my wife will often catch me out. I start speaking differently. I start enunciating, and start using certain highbrow words, and things like that.
TooDamn-Funky: It's a start, ok. Been thinking bout the boyz. 'member last year my bro did that immersion thing in Venezuela? Kciker5525: Where he learned to speak Spanish??? TooDamn-Funky: Yeah! u go for 2 weeks talk nothing but Spanish u come back fluent. Kicker5535: ...???? TooDamn-Funky: Well this is like a guy immersion program! Kicker5525: So...what. I'm going 2 b fluent in GUY? TooDamn-Funky: Exactly! u will c what they talk about alone. U will c how they r with each other. U will c how they THINK!! AND WHEN IT'S DONE YOU'LL BE ABLE TO WRITE A GUY GUIDE BOOK!! Kicker5525: U r deranged.
With my writing, I try to do stuff I have not done before. Each time I sit down, I want to have a new experience, and by extension, I want my readers to have a different experience.
When you start on a new film, no matter how many you've done before that, I think I've done close to 80 films, but it's always kind of a fun adventure.
I quickly learned that reading is cumulative and proceeds by geometrical progression: each new reading builds upon whatever the reader has read before.
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