A Quote by Ian Mcewan

The end of secrecy would be the end of the novel - especially the English novel. The English novel requires social secrecy, personal secrecy. — © Ian Mcewan
The end of secrecy would be the end of the novel - especially the English novel. The English novel requires social secrecy, personal secrecy.
While all deception requires secrecy, all secrecy is not meant to deceive.
The whole question of pornography seems to me a question of secrecy. Without secrecy there would be no pornography. But secrecy and modesty are two utterly different things. Secrecy has always an element of fear in it, amounting very often to hate. Modesty is gentle and reserved. Today, modesty is thrown to the winds, even in the presence of the grey guardians. But secrecy is hugged, being a vice in itself. And the attitude of the grey ones is: Dear young ladies, you may abandon all modesty, so long as you hug your dirty little secret.
Secrecy can be sexy. It's essential to any good mystery novel.
Without secrecy there would be no pornography. But secrecy and modesty are two utterly different things.
I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
There are some episodes in the history of Israel that are still kept under the strongest secrecy thick veil possible. Some of them are 40 years old, 50 years old, and are still under thick, thick secrecy, and anyone violating this secrecy would be thrown into jail himself.
I don't see the direct correlation between my personal life and the novel I'm writing until I'm at the end of the novel or very close to it.
People addicted to secrecy are so without knowing why; they are not so for cause, but for secrecy's sake.
Some men are tempted to violate secrecy from the uneasiness secrecy gives them, and others, merely to impress you with the extent of their confidence.
There is no happiness in love, except at the end of an English novel.
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
In Italian, the word for novel is romanzo, "the romance." The English is "novel" - something new. Both of those elements, experimentation and love, are fundamental to the form.
We know that the wages of secrecy are corruption. We know that in secrecy error, undetected, will flourish and subvert.
Children love secret club houses. They love secrecy even when there's no need for secrecy
Children love secret club houses. They love secrecy even when there's no need for secrecy.
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