A Quote by Ian Mckellen
I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'
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There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
When I was 19, I went door to door selling long-distance phone service to put myself through school. I was studying to become a computer graphic technician. I always got strangers saying, 'You should model; you should act.' A co-worker finally said, 'Go see this acting coach.'
I think a lot of Americans have never been all that hungry. They've never had war on their shore, and they've never suffered the way other cultures have suffered. I'm not saying we should go suffer. Not at all. I'm saying we should be more aware of how other cultures exist.
I've been acting since I was 5 years old, from primary school to secondary school, did training at drama school, which was the big thing for me because they trained me, put me out into the industry.
I think I was quite lucky in that I went to an all-girls school. I was never put in an environment where I had to be the other - the woman as opposed to the man - all the way through my education. I was never made to feel that way at home.
I like the way [Marcus Lemonis] thinks. He's made me think about things in a different way. He's made me want to support small businesses in a very real way, seeing what these small-business owners go through and the struggle it is and the courage it takes to put your heart and money behind things at a 24-hour job. I think I relate to that as an actress and a writer and someone who works freelance, in many ways. It never ends, you never clock out. You've always got to keep things moving.
I'm not someone who feels like I have to do it the same way. I never feel restricted. It all should grow out of different moments and if it goes completely different that's how it should go.
I've - to be honest with you, I've never had an acting lesson. But I've been at drama school for 50 years.
I just never understood why someone else's love life and who they love and who they choose to be with affects so many other people's livesI never understood the whole point of opposing or hating someone else's happiness.
Everyone in show business makes these sweeping, "I'll never work with so-and-so again," because that's the way you feel at the moment. It's a business where there really is no point in ever saying never. There are people I've sworn that I would never go near again, and then you see an interesting role that would put you opposite that person and you think, "Well, we'll work together, maybe they were having a bad year."
You know, money will never save anyone. Compassion can save someone, love can save someone, money will never save anyone. And as long as the entire society will put money first... Money should be like third or fourth or fifth, I'm not saying lets get rid of money, but how can we put money as number one? As the only value, like if you are rich, you're famous you go VIP, why? It's just insane, the way we've transformed the society.
I'm not saying I'll never go solo - never is a long time - but I've always been onstage with someone else. That way, you're in it together, and you can feel, together, when the songs are right.
We had an ancient Russian acting coach at my drama school who said the worst offense you could commit was to let your subtext show. That is the point of acting, is to be saying one thing and not be allowed by society or your predicament to show what you're really feeling. In a way, I think that's why the therapy generation has killed script writing, because all you ever get is people going, "Hi, I'm feeling really angry right now."
I always wanted to have a family - that was one of my big wishes. And in school, I'd taken drama, and I'd always wanted to act. I did go to drama school in New York, Los Angeles and London, and I did small parts here and there, but I never really had the time. Modeling was always paying more.
I do circuit training - different workouts without stopping. I like having that stamina, where I've never been too tired to put on a match or go above and beyond.
I never had any classes or went to theatre school like a lot of actors, so all of my training has been on stage with different directors. That was a pretty good school room.
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