A Quote by Ian Mckellen

The strength of British theatre should be that these actors in their middle years know what they're doing and are good at it. Not rich, not famous, but making a living.
I've found a lot of the thinking in America is that a lot of people become actors to become famous. At least from my experience, I have a dozen or so British friends who are actors, and if you look at their body of work, and they'll go do theatre, and they'll go do this and this. They work, and they're always honing and trying to be better.
Everyone the world over talks about British actors and British talent and I think thats because we were trained - until now - in theatre.
Everyone the world over talks about British actors and British talent and I think that's because we were trained - until now - in theatre.
There are many actors who'll make their living in other areas, and they'll say they don't like theatre. What they're saying is that they're afraid of theatre because they know it will separate those who can from those who can't.
There is a whole bunch of great British actors of my age who aren't film stars or theatre actors; they're very much both.
When I was doing theatre in Mumbai, actors won't come because they had television. For many years, I did theatre religiously and in Mumbai, I saw people disrespecting it and it hurt me very badly.
There are few celebrities that I don't know personally. And compared to the rich, most of the famous live in the poorhouse. It's much better to be rich than famous.
Lifestyles of the rich and famous. Well I'm rich and famous but if you got money, they know what you're name is. If you don't, you're nameless.
I never studied theatre; I learned it by doing it. If I had studied theatre, I would not be making the kind of theatre I am making.
I have done some wonderful television, but you know, there's not as much exceptional material as there is in the theatre. So I do a lot of theatre, but really, as with most actors, I just love going from one to another. It's stimulating, it's diverting, it's a different way of life, and you know, I dearly like a good mix.
Years ago, there was a variety theatre in every British town, and people paid to go down and see it. Comedy was the main part of the theatre, and comedians earned a living by being funny. Now you have comedy in television instead. Comedians now have to be funny within a play.
We're teaching young girls that this is what they should be focusing on: rich and famous girls who are rich and famous for nothing.
One bulls-eye and you're rich and famous. The rich get more famous and the famous get rich. You're the talk of the town....The sense of so much depending on success is very hard to ignore, perhaps impossible. It leads to disproportionate anxiety and disproportionate relief or disappointment.
Coming from documentaries, my biggest challenge was to understand actors' psychologies. American actors take it all very seriously; British actors don't enter into all this methody way of doing things.
Many famous feet have trod Sublunary paths, and famous hands have weighed The strength they have against the strength they need; And famous lips interrogated God Concerning franchise in eternity.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
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