A Quote by Ian Mckellen

When I left Cambridge, I applied to regional repertory theaters in the U.K. and got accepted by one of them... And here I am, still at it. — © Ian Mckellen
When I left Cambridge, I applied to regional repertory theaters in the U.K. and got accepted by one of them... And here I am, still at it.
I applied to American Repertory School up at Harvard at got in.
The first 45 or 50 years of the regional theater movement, all these folks, they built these theaters. The job of the next generation is to maintain them.
Even though Cambridge Analytica has dissolved, the capabilities are still there, the platforms are still there, the people are still there. What happens when China becomes the next Cambridge Analytica? Like anything, the second, third, fourth time you do something, you start to refine and perfect it.
I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
In 1922, I got a small stipend from the Swedish-American Foundation and went to Cambridge, England, for a few months and thereafter to Harvard University. In the summer, Cambridge was rather empty, but I am grateful for many pleasant talks about economics with Austin Robinson who, in the summer of 1922, seemed to be about as lonely as I was.
My experience came before most of you were born. My school was a state school in Leeds and the headmaster usually sent students to Leeds University but he didn't normally send them to Oxford or Cambridge. But the headmaster happened to have been to Cambridge and decided to try and push some of us towards Oxford and Cambridge. So, half a dozen of us tried - not all of us in history - and we all eventually got in. So, to that extent, it [The History Boys] comes out of my own experience.
I applied to do a fellowship in Congress and I was accepted to be a legislative fellow, so I go to work on the personal staff of a senator. I got very lucky and got to work in the office of Senator John McCain, and it was a yearlong program.
I am looking forward very much to getting back to Cambridge, and being able to say what I think and not to mean what I say: two things which at home are impossible. Cambridge is one of the few places where one can talk unlimited nonsense and generalities without anyone pulling one up or confronting one with them when one says just the opposite the next day.
I started off in radio, then made little films for Granada. I applied for a job at 'Weekend World,' and they turned me down; I'd also applied to the Foreign Office, which accepted me.
I realized that after years of studying Shakespeare and Chekhov and regional repertory theater, what I really wanted to do was bust in and rob a bank and jump in the screaming getaway car and tear through the city and get in a shootout.
See in old days, there were only two parties nationally, Congress and BJP... Now there are regional leaders. Time has come to pick up regional leaders in these national parties and build political campaign around them who can challenge regional parties.
In a sense, what we do with the regional development agencies is to give them resources to look at the deficiencies in the economy in the regional areas, so they can address themselves to that.
I used to sit in bed at night and flip through design-school catalogs. I found out that Parsons accepted a small number of high school juniors, so I applied my sophomore year and got in.
I'd rather be hated for who I am than loved who I am not. Even if you're not accepted, at least you are still yourself.
When I was beginning, a young actor could go from repertory company to repertory company. I did that and loved it. I was also lucky.
While Bollywood still remains my priority, I always wanted to do regional cinema. There are so many people who don't know Hindi, so I decided to do regional films wherein even those who don't know me can see my work.
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