A Quote by Ian Mckellen

The whole atmosphere of the book, the tone of 'The Hobbit,' is of a kid's adventure story, told in the first person by Tolkien, who is introducing young people to the notion of Middle-earth. A lot of it is very light-hearted.
'The Hobbit' by J. R. R. Tolkien was the first book I enjoyed. I was 14 and when I finished I started it again.
The Tolkien estate owns the writings of Professor Tolkien. 'The Hobbit' and 'The Lord of the Rings' were sold by Professor Tolkien in the late '60s, the film rights.
I was the first person in the world to audition for 'The Hobbit'. The casting director told me that when I went in. That's a lot of pressure, isn't it? The first person in the world.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
It's almost like an optical illusion, 'The Hobbit.' You look at the book, and it is really thin, and you could make a relatively thin film as well. What I mean by that is that you could race through the story at the speed that Tolkien does.
I was a massive Tolkien fan. 'The Hobbit' was... my favorite book as a little girl, and the Silvan Elves were my favorite characters in the book.
My first book was about grappling with my identity and transitioning medically and socially as a young person. At that point, it hadn't been told yet. There wasn't a trans memoir that was written from the perspective of a young person that transitioned.
When I told my mom I was going to audition for 'The Hobbit,' she said, 'Well, you've always loved Tolkien.' And she was right.
'The Hobbit' didn't include female characters at all and was a very linear story, a book for children, really.
I read everything that Tolkien wrote, and also read biographies of him. I was fascinated by his experiences in World War I, which includes the loss of life of some of his very, very close friends. I think he writes about that a lot in 'The Hobbit' and 'The Lord of the Rings.'
A shelf of classics for our young adults: Tolkien, Hesse, Casteneda, Kerouac, Salinger, Tom Robbins, and _The Last Whole Earth Catalog_.
I'm not a light-hearted person, so I can't think light-hearted at work.
Finding a title for a book is something that I work really hard at ... So, in Salt, I realized that the book was a lot about how people live on the earth together and who has access to the resources of the earth. So salt was a very specific thing that people needed, but it's also symbolic because of the way it comes out of the earth.
When we were first offered a book deal prior to Avon's, they were trying to get us to change it from the first-person story into a how-to book, and they were offering us some decent money. My agent told me; 'you should really consider this'.
The first view of the Earth is magical. It is a very overpowering realization that the Earth is so small. It affected me. I could not get over the notion that in such a small planet, with such a small ribbon of life, so much goes on. It is as if the whole place is sacred.
Mankind will not forever remain on Earth but, in the pursuit of light and space, will first timidly emerge from the bounds of the atmosphere and then advance until he has conquered the whole of circumsolar space.
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