A Quote by Ian Mckellen

I certainly don't disparage someone whose attitude towards their work is utterly different from mine - that's up to them. — © Ian Mckellen
I certainly don't disparage someone whose attitude towards their work is utterly different from mine - that's up to them.
The truth is that it is our attitude towards children that is right, and our attitude towards grown-up people that is wrong. Our attitude towards our equals in age consists in a servile solemnity, overlying a considerable degree of indifference or disdain. Our attitude towards children consists in a condescending indulgence, overlying an unfathomable respect.
Some people have human muses - mine is a city. I feel a startling ambivalence towards London, but for better or worse my work has come utterly to depend upon it.
The truth is that it is our attitude towards children that is right, and our attitude towards grown-up people that is wrong.
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
I've certainly been someone who has loved to mine the trials and tribulations of growing up in general, and the people who are in our lives, and I don't mind pulling from them and writing things down on my phone that my family says.
It's not the possibility of Stalinism in the U.S. that's worrying me, it's the fact that the Stalinist C.P. seems doomed to fail and to bring down with it all the humanitarian tendencies I personally believe in--all the while acting as a mould on which its obverse the fascist mentality is made--and this recent massacre is certainly a sign of Stalinism's weakness not of its strength. None of that has anything to do with Marx's work--but it certainly does influence one's attitude towards a given political party.
The role of art for me is the visualization of attitude, of the human attitude towards life, towards the world.
Shall I tell you what supported me through all those years of exile among a people whose language I could not understand and whose attitude towards me we always uncertain and often hostile? It was this: "Lo, I am with you alway, even unto the end of the world".
Our attitude towards others determines their attitude towards us.
Now, there are two different attitudes towards learning from others. One is the dogmatic attitude of transplanting everything, whether or not it is suited to our conditions. This is no good. The other attitude is to use our heads and learn those things that suit our conditions, that is, to absorb whatever experience is useful to us. That is the attitude we should adopt.
By looking upon themselves as human beings, their whiteness to them isn't the yardstick of perfection or honor or anything else. And, therefore, this creates within them an attitude that is different from the attitude of the white that you meet here in America, and it was in Mecca that I realized that white is actually an attitude more so than it's a color.
Her accent's funny, different from mine, different from anyone in Prentisstown's. Her lips make different kinds of outlines for the letters, like they're swooping down on them from above, pushing them into shape, telling them what to say. In Prentisstown, everyone talks like they're sneaking up on their words, ready to club them from behind.
The attitude of the English towards English history reminds one a good deal of the attitude of a Hollywood director towards love.
I'm someone who loses 80 to 90 percent of the time. Even when I lost, I put my body on the line and I told the best story. If I stood out, if my attitude towards fighting was different, I found a way to stay around and keep revamping myself and my character.
Anybody who's a mythology ... there's always a fear. That's why we don't like people whose skin color is different, whose eye slant is different, or whose worship is different. It makes them feel insecure. So we strike out. The thing that bothers me most about the Christian church today is that we spend our time confirming people in their own sense of wretchedness.
Three or four years ago, I got really caught up in the movies people were making, the opportunities they were getting, and I was looking at them with bitterness. As soon as I decided that their career was their career and mine was mine and I would have to serve myself, my attitude changed. I'm as normal as you can be in these circumstances.
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