A Quote by Ian Mckellen

The first film role I deliberately chose to play after I came out was a raging heterosexual, John Profumo. — © Ian Mckellen
The first film role I deliberately chose to play after I came out was a raging heterosexual, John Profumo.
The John Podesta WikiLeaks dump came just about one hour after the "Access Hollywood" tape was published. The "I like to grab them by the p-word" tape, one hour after that came out is when WikiLeaks dropped the first tranche of John Podesta e-mails hacked by the Russians.
I was born of heterosexual parents. I was taught by heterosexual teachers in a fiercely heterosexual society. Television ads and newspaper ads — fiercely heterosexual. A society that puts down homosexuality. And why am I a homosexual if I'm affected by role models? I should have been a heterosexual. And no offense meant, but if teachers are going to affect you as role models, there'd be a lot of nuns running around the streets today.
We have a wonderful film lined up early next year called 'Desi Magic.' It showcases me in a double role for the first time. This movie has offered me the most challenging role of my career so far. It's weird I chose to do my toughest film with my own production house.
Amitabh Bachchan played the role I was supposed to play in 'Saat Hindustani' but I cannot say he got his first film because of me. He had already been cast in the film, but was playing a different role.
Fathers are always so proud the first time they see their sons in uniform," she said. "I know Big John Karpinski was," I said. He is my neighbor to the north, of course. Big John's son Little John did badly in high school, and the police caught him selling dope. So he joined the Army while the Vietnam War was going on. And the first time he came home in uniform, I never saw Big John so happy, because it looked to him as though Little John was all straightened out and would amount to something. But then Little John came home in a body bag.
The Bucks and John Hammond chose me in the draft, got me in the NBA, kept me in the team with a role from my very first season, and they are my basketball family.
First the movie, the actual playing of the role and trying to deliver what everybody wanted. Then, when the film came out, there was instant fame. I was just a kid from Sweden, I didn't know what was going on.
The first job that I booked was a small role in James Franco's film 'Bukowski.' I had to make out with a 13-year-old kid. I think it was his first kiss. I was 15. I became so nervous on set that I actually fainted when James Franco came to direct me.
In fact, most of the roles that I did came to me after being rejected by others. I chose them because of the potential. Every film that I have chosen has been crucial in my career, be it a hit or a flop.
I chose John Carroll Lynch as my SAG name when I was 19 years old. I was working in D.C., and I got my SAG card by doing a first aid film for the Red Cross called 'Bleeding Control'. They had a union contract.
Sheesha' is a thriller. It was exciting to play my first double role in the film.
The nature of the beast is that film is a director's medium. It's not a Tracy Letts play, it's a John Wells film. 'August: Osage County,' as a play, is done. Written. On the shelf. It'll be performed in its entirety for years.
Whenever we went out to film in the street we would end up in the police station and in the offices of some other security agency. They deliberately intimidated us. I moved to Kurdistan and changed my name and made my first feature film in Kurdistan with very basic resources.
The first play I did was 'Philadelphia Here I Come.' Can you imagine that? I am 37 years old I am doing my second professional play and I am on stage with John Malkovich. Joan Allen, Laurie Metcalf and Gary Sinise. One huge name after another. I was terrified and petrified, could hardly get a word out of my mouth.
I had actually sent an audition tape for Simon Pegg's movie 'Hot Fuzz,' which came to nothing. Four years after the film released, out of nowhere, I got a call saying the producers of 'Game of Thrones' wanted me to play Hodor after they had seen that particular tape.
Methodologically speaking, the rejection by [John] Boswell of the categorical opposition between homosexual and heterosexual, which plays such a significant role in the way our culture conceives of homosexuality, represents an advance not only in scholarship but in cultural criticism as well.
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