A Quote by Ian Mckellen
The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
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I've seen a lot of LA and I think it's also a place of secrets: secret houses, secret lives, secret pleasures. And no one is looking to the outside for verification that what they're doing is all right.
The thing about secrets is that they are usually best kept by just one person. That was the special thing about secrets. Some people seemed to think that the best way to keep a secret was to tell as many people as possible; what could possibly go wrong for a secret when there were so many people defending it?
My parents are amazing. When I said I wanted to go into film, they didn't understand it, but they were incredibly supportive. But growing up, I absolutely did have that feeling of, "Wow, somebody just gave me up." That was infused in The Secret Life of Bees too - the protagonist wanting unconditional love from her dead but much-imagined mother.
After I won in Beijing I chatted with a lot of Indian athletes and they were interested and keen to know what I did. They all thought that I had some sort of secret for success, but I just wanted them to understand and realize that the biggest secret is: there is no secret.
Things come up from the outside, the outside world says, okay, you have do this, you have to go here and here and here, and these are your options. You can be here or you can be here. You can do this, or you can do this. You can go here, or you can go there. So each one of those things becomes a place of decision, and the way we make decisions is that we all get together and if somebody doesn't feel right about it or it doesn't seem to sit right, usually we'll go with the no vote. If somebody's not comfortable with it, we'll figure it's not going to be worth doing.
For me what was amazing was consumerism of people survived after Katrina. You see in a yard that the SUV is gone but they left the Ferrari or the more expensive car because it just wasn't practical. They couldn't get all their stuff in it. So you see this beautiful car totally destroyed; motorcycles. You walk into these houses - we were with the New Orleans police when they would go into the houses - we'd go through these houses and we were just amazed at how much stuff that had been accumulated and how much was left behind.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
Most people just laugh when they hear that the secret to success is giving. Then again, most people are nowhere near as successful as they wish they were.
Aikido is not an art to fight with enemies and defeat them. It is a way to lead all human beings to live in harmony with each other as though everyone were one family. The secret of aikido is to make yourself become one with the universe and to go along with its natural movements. One who has attained this secret holds the universe in him/herself and can say, 'I am the universe.'
there’s really nowhere else I can go, and even if there were, it wouldn’t make a difference because I’d just be running from myself, and you can’t do that no matter how hard you try, and trying hard is what got you in this predicament in the first place.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
You're talking about the 1970s now and not the 1950s. We were all more sophisticated by that time, and I just assumed he was gay. But I do remember when we were all sitting around on a roof one night and Larry turned to me and said, "You do know I'm gay, don't you?" There was a statement made. A declaration. We just never had really talked about it.
If you look at any successful person, at the start they were not balanced, balanced people go nowhere. They stay in one spot. To make progress you must first go unbalanced. Just look at how you make progress walking
I was a huge Beatles fan. We could talk about who I listened to growing up and what my sources were, but certainly the Beatles were a late, important resource for me, and I just took my guitar and a handful of songs, and I decided, well, I'll just go over and travel around Europe and see what comes of it.
I've always loved the language of flowers. I discovered Kate Greenaway's 'Language of Flowers' in a used bookstore when I was 16 and couldn't believe it was such a well-kept secret. How could something so beautiful and romantic be virtually unknown?
The ball scene was never really only gay people. I think people have this notion that if there's a man hanging around a gay man, he must be gay, but that's just stigma. Back in the day, it was the same; there were lots of different people there: gay, straight, whatever. They did not care what they were called because they knew who they were.
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