A Quote by Ian McLagan

We had something very special in the Faces. We were blessed to have the fun we had. — © Ian McLagan
We had something very special in the Faces. We were blessed to have the fun we had.
I shall miss all the people in it and the great fun we had doing it. I enjoyed playing the character very much. It was a very, very special character and a very special series. And the camaraderie of it all. I loved it.
Since the first time I touched the football, people always told me I was blessed, that I had something special.
If I had to pick one exact moment when we were live on air and something very, very special happened it was at the Athens Olympics. Chris Hoy won the Gold Medal in the kilometre time trial and that was incredible.
We were spoiled in many ways, but we were always taught to understand the value of the dollar. If there was something we wanted, we had to earn it. Even in college, we were very fiscally responsible. I had 300 bucks a month; anything I wanted beyond that, I had to work for.
My 12 years in New York were very, very special, the fans were very special, and it's something I will take with me wherever I go and into retirement.
I wasn't attractive, I wasn't very verbal, I wasn't very smart in school. I wasn't anything that showed the world I was something special, but I had this tremendous hope all the time. I had this tremendous spirit that kept me going... I was a happy child, because I had this feeling that I was going to go beyond my body physical... I just knew it.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
I had this instinct and I just knew it. It was a very strange thing and as soon as I finished recording it, we were all in the studio saying we have something really special here.
I don't have to build up strength; I have been blessed with it. I do lift weights and train hard, but I am a very special individual - a very special man with very special talent and very special power. I can get any man - any man - out of there in a matter of seconds. That is the thing I love about myself.
I've always wanted to do action stuff. I like it. You really want something that's special; that's got something special about it and not cheesy, I guess. I'll tell you something, it's fun, it's different. Comedy is difficult. Doing comedy is very difficult. Action stuff is fun.
I had eight consecutive years in the top 20 and five of those were in the top 10. That's something I'm very proud of. And the way that I played some of my matches at Wimbledon was also very special.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for in a way. They wanted it to be something special. Also, none of us were really known then as well.
Statues lined the stairs and stood, dotted across the roof. But they had been brutalized by time and the weather. Some were missing arms. Many had no faces. Once they had been saints and angels. Two hundred years standing in London had turned them into cripples.
The Aloha spirit is something that is very special and very meaningful to us and our Polynesian culture. Those of you who have had the opportunity to visit Hawaii, or any of the Polynesian islands, know that it's a very special thing. It's an intangible, and when you get off the plane and have your feet on the ground there, it energetically takes you to a different place.
There was something special about watching a manager and umpire both convinced they were totally right, but knowing that one had to be wrong. As an ump, those moments made my job fun, and getting 'nose-to-nose' was part of my job description.
I had seen faces in photographs I might have found beautiful had I known even vaguely in what beauty was supposed to consist. And my father's face, on his death-bolster, had seemed to hint at some form of aesthetics relevant to man. But the faces of the living, all grimace and flush, can they be described as objects?
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