A Quote by Ian McShane

What 'Deadwood' did was to talk about how capitalism started, how civilised society came in, and how that brought its own problems. — © Ian McShane
What 'Deadwood' did was to talk about how capitalism started, how civilised society came in, and how that brought its own problems.
I was in an Uber in Vegas with some friends, and 'Don't Let Me Down' came on. My driver didn't recognize me but started to talk about how much he loved Daya and how he had a crush on her.
The war on terror is the most insane and immoral war of all time. The Americans are doing what they did in Vietnam, bombing villages. But how can a civilised nation do this? How can you can eliminate suspects, their wives, their children, their families, their neighbours? How can you justify this?
I came to graduate school with a certain vocabulary about how to talk about other people's stories, but I couldn't understand how to look at my own stories in that way. And that was what made editing such a challenge for me.
When people started reading me and talking to me about the work, they didn't say how funny, or how satiric, or how brilliant, or how this or how that, they said, how'd you get away with it? How'd you get that into print?
How we frame the world - how we talk about it and define it - affects how we see things and how we live.
The enormous dynamic and creative, as well as destructive energy of capitalism... is written up with more praise and more respect by Marx and Engels in the 1848 Communist Manifesto than probably by anyone since. I don't think anyone has ever said so precisely and with such awed admiration how great capitalism is, how inventive, how innovative, how dynamic, how much force of creativity it unleashes.
I was thinking about how people were upset about the information that came out from Snowden about the NSA - many people were upset, including myself. But I was kind of surprised by how little we did about it - how little fighting we did.
I started writing for myself when I didn't know how to understand how I was feeling, and I didn't know how to talk to people about it, so I would break into the subconscious to try and understand what I was going through.
Having come into contact with a civilization which has over-emphasized the freedom of the individual, we are in fact faced with one of the big problems of Africa in the modern world. Our problem is just this: how to get the benefits of European society - benefits that have been brought about by an organization based upon the individual - and yet retain African's own structure of society in which the individual is a member of a kind of fellowship.
Interesting thing that is happening in American society is that people are starting to talk about money. I don't know how you feel about this, but for a long time, nobody was talking about money. It was a secret. And it's kind of very interesting because we do lots of stuff to portray to people about how much money we have, the clothes we wear and the cars we have and the house - they all kind of depict to other people, signal how much money we make, but we don't talk about it specifically.
I never was a person that wanted that life...I'm a leader not a follower. I don't care what they say, or what they're doing or what they're wearing. Go ahead, cos come Judgement Day, all of that won't matter. How many people did you help. How many people did you talk to. How many people did you try to encourage. How many people did you bring to God. That's what's gon' matter.
At the end of the day, you realize that this is important stuff, but it isn't as important as how my kids feel about me. That's how I'm going to measure my success - not how I did as counsel to the president or as attorney general. How did I do as a dad?
My dad was very, very invested in image. He felt that as a black person, the thing you could control was how did you look, how did you dress, how did you sound, how did you smell, how did you act. All of that stuff that you could control would absolutely have a strong impact on your access.
I want to be in control of how my music is released and how I create it. What people don't talk about when they talk about major labels is how many artists get dropped or funding gets dropped when they don't recoup quick enough.
My skills weren't that I knew how to design a floppy disk, I knew how to design a printer interface, I knew how to design a modem interface; it was that, when the time came and I had to get one done, I would design my own, fresh, without knowing how other people do it. That was another thing that made me very good. All the best things that I did at Apple came from (a) not having money, and (b) not having done it before, ever. Every single thing that we came out with that was really great, I'd never once done that thing in my life.
It's important for someone who's dealt with violence to be able to talk to someone, no matter who it is. So I'm vocal about how I feel. That's how I've worked through a lot of my problems.
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